Daily Archives: May 10, 2024

May 10, 2024

Illusions Are Lies (Like You)

By EPRobles

the Fly ate the paper
its thin legs stuc k
on economic condition

it won the war
flying away

the monkey saved
itself by not
eating the fruit
of God’s tree

shit escaped the human
orifice and became hero

piss passed the tubes
of humanity

and fed the rivers of
human nonesense

God’s eyes died
watching creation

and evil prevails
slinging mud princes

buy and princesses
pain eyes and cost

souls aching for
the lies of illusion.

:: 05.10.2024 ::

Poet’s Notes:

THIS poem is a poignant commentary on the human condition, filled with allegorical imagery and profound insights into societal and existential struggles.

The title, “ILLUSIONS ARE LIES (LIKE YOU),” immediately sets the tone for a critique of falsehoods and deception, directed towards individuals or systems that perpetuate deceit. The use of parentheses around “LIKE YOU” is a direct address to someone embodying deceit or illusion, adding a personal and accusatory tone.

The imagery in the poem is striking and multi-layered. The depiction of a fly consuming economic conditions, only to “win the war” and escape, symbolizes the transient and ephemeral nature of victories in the face of larger systemic issues. The monkey refraining from eating the fruit of God’s tree alludes to the biblical story of Adam and Eve, highlighting the human tendency towards self-preservation even at the expense of moral or spiritual fulfillment.

The juxtaposition of bodily functions like defecation and urination with broader themes of creation and divine observation adds a visceral and unsettling dimension to the poem. The notion of excrement becoming heroic and bodily fluids feeding the rivers of human nonsense suggests a degradation of values and a perversion of natural order.

The mention of “God’s eyes died watching creation” conveys a sense of abandonment or despair, as if the divine has turned away from humanity’s destructive tendencies. The concluding lines, with their reference to “mud princes” and “princesses,” evoke a world where power and privilege are built on falsehoods and suffering.

Overall, my poem serves as a stark indictment of human folly and the illusions that perpetuate suffering and inequality. Its imagery and language demand reflection and introspection, urging the reader to confront uncomfortable truths about the world we inhabit.

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May 10, 2024

God is Static Thoughts

By EPRobles

FOR the IQ below 110

  • Jew is not a race

for the IQ below 90

  • Jesus was a Jew

from the IQ below 70

Your mother
and father
are not blood related

UNLESS…

you are on this TIMELINE

then ALL ARE RELATED.

:: 11.30.2023 ::
(c) 2023-9999

Poet’s Notes:

As the writer of this poem, I approach “GOD IS STATIC THOUGHTS” with an appreciation for its brevity and its potential for profound insight.
Let’s analyze this poem:

Title: “GOD IS STATIC THOUGHTS”

The title immediately suggests a contemplation of divine or existential concepts, with “GOD” representing a transcendent force and “STATIC THOUGHTS” implying eternal or unchanging ideas. This sets the stage for a deep exploration of metaphysical themes.

Stanza 1: “for the IQs below 110 – Jew is not a race”

The poem begins with a provocative assertion, challenging conventional notions of identity. By tying intelligence levels to understanding, the poet highlights the complexities of categorization. The statement “Jew is not a race” challenges simplistic classifications and invites the reader to reconsider the multifaceted nature of cultural and religious identity.

Stanza 2: “for the IQ below 90 – Jesus was a Jew”

This stanza continues the exploration of identity and challenges preconceived notions. By affirming Jesus’ Jewish heritage, the poet prompts reflection on the interconnectedness of religious and cultural identities. The juxtaposition of intelligence levels with theological assertions invites the reader to consider the implications of knowledge and understanding on belief systems.

Stanza 3: “from the IQ below 70 – Your mother and father are not blood related”

Here, the poem takes a deeply personal turn, disrupting traditional notions of kinship and lineage. The assertion that one’s parents are not blood-related challenges biological determinism, suggesting a broader understanding of familial bonds and relationships.

Closing Lines: “UNLESS… you are on this TIMELINE / then ALL ARE RELATED.”

The final lines serve as a profound conclusion, emphasizing the interconnectedness of all existence. The word “UNLESS” suggests a conditionality or exception, highlighting the unique circumstances of individual existence. By invoking the concept of “TIMELINE,” the poet underscores the temporal context of human experience, while the assertion that “ALL ARE RELATED” speaks to a fundamental unity that transcends conventional boundaries of identity and understanding.

Overall, “GOD IS STATIC THOUGHTS” offers a thought-provoking exploration of identity, intellect, and interconnectedness. As the poet who wrote this prose, I admire the poem’s ability to provoke deep reflection on existential themes and challenge the reader to consider the complexities of human experience.

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May 10, 2024

The Blind

By EPRobles

It was five o’clock when done 

the house of the incredibly blind

the last clock made for sightseers

for those that see

Outside the birds were flocking

Outside the humans were mocking

Inside i stood my stable ground

holding onto a thread of life

Seeing is not always believing

See, it’s not visual 

See, it’s not love

People want forgiveness

Its incredible senses

Why so hard to find

its imagination in life

Let’s me guide you

Spending light by seers 

all my days this dark world

i use words to visualize

To see what eyes fail to see

how bipeds are maimed

forgetting a perfect picture

For some handicapped are more

than sightless life

a hell that we tend to hear

But is it the world 

or is it me?

\don’t make me lose my mind/

A soul floating in vast space

Stay to see the world ignite

and explain to me what you see

I’ll tell you what is real 

Every time.

I paint a perfect picture ~~~

\a beautiful world not seen

by humanity.

:: 05.10.2024 ::

The Poet’s Notes:

As a poet, I wrote, “THE BLIND,” as an exploration of perception and reality.

I attemped to exercise the imagery as a vivid and thought-provoking life-form, inviting readers to reconsider the significance of sight and the limitations it imposes on our understanding of the world.

Using contrast between the external world, where birds flock and humans mock, and the internal world of the narrator, where stability is found despite blindness, was meant to be striking.

It highlights the disconnect between appearance and essence, challenging the notion that seeing is synonymous with believing.

The repetition of “See, it’s not visual; See, it’s not love” reinforces the theme of transcending conventional perceptions, suggesting that true understanding comes from within, from the senses beyond sight.

Moreover, I labored to extend the exploration of imagination as a means of perception to make it compelling. By using words to visualize and create a “perfect picture,” to conjure a transcendial physical limitation to perceive a world unseen by humanity is my testament to the power of creativity and introspection.

The closing lines, questioning whether it is the world or the poet’s perception that defines reality, leaves a lingering sense of ambiguity and introspection. It prompts readers to contemplate the subjective nature of reality and the role perception plays in shaping our understanding of the world.

As an old man and poet, I believe “THE BLIND” is a thought-provoking and evocative poem that delves into the complexities of perception, reality, and imagination.

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