THIS MOUTHLESS LIFE

this MOUTHLESS LIFE,
a shard of glass pressed against the tongue
until the blood tastes like silence.

a word is a wound already,
soft as the pillow over the face,
soft as the grave dirt that smothers the scream.

The heart falls like a suicide note
torn from the wrist,
falling into the lap of someone
who will never read it.

a slice of belief-skin –

Belief as skin, flayed,
offered up like a sacrament
to a heart too tender to hold it.

I could not cry,
but my lover took these tears.
The true theft —
not the body, not the breath,
but the last salt proof
that I was still alive enough to weep.

i hate my heart / the forever prison of my soul
forgetting there was a key

:: 01.27.2026 ::


YES, WILLINGLY I BLEED (for another day of love)

When Love – beckons –
Follow – though the Way
Be steep – and thorned –
When His pinions close –
Yield –
Though the hidden Blade
In feathers – pierce –
When His Voice arrives –
Believe –
Though it splinter
Dreams –
As North Wind – strips
The garden bare –
Love – crowns –
And crucifies –
Climbs – to stroke
The sun-quivering Twig –
Then drops – to the Root –
And rends –
He binds you – like Sheaves –
Threshes – till bare –
Winnows husks –
Grinds – to purest white –
Kneads – supple –
Commits – to holy Flame –
That you rise – Bread –
For God’s own Table –
All – to unlock
The Heart’s deep crypt –
Till I – am but
A shard – of Life’s Heart –
But if dread craves
Only ease – delight –
Better veil – your bareness –
Quit the Floor of flail –
Enter the timeless plain
Where mirth is halved –
And weeping rationed –
Love gives – but itself –
Takes – but itself –
Owns nothing –
Will be owned by none –
Love – is enough – to Love –
Say not “God – in my breast” –
But “I – in the breast of God” –
Nor dream to steer Love’s tide –
Love – deeming you meet –
Steers – you –
Love seeks – only
Its own completion –
Yet if you must desire –
Let these – be yours –
To melt – a brook
Chanting to the dark –
To ache – from excess of tenderness –
To wound yourself – with knowing Love –
To bleed – glad – eager –
To rise at Dawn – heart aloft –
Bless – the day of loving –
To pause at Noon – drowned in bliss –
To turn home at dusk – laden with thanks –
To lie down – prayer for the Beloved
Thrumming the breast –
Praise – trembling the mouth.

:: 01.25.2026 ::


unBECOMING

i am un
(becoming) —not the
lady in pearls who
swallowed her mirror
whole,
but the grassblade
pushing through sidewalk
cracks,
anonymous,
unadorned,
a nobody! who are you?
are you nobody too?

then there’s a pair of us—
don’t tell!

they’d banish us, you know:
the somebodies, croaking
names in the bog of
june, public as frogs,
droning their i ams
till the air
thickens with self.

O to unbecome!
—to shed this husk
of shoulds and musts,
the corset of custom
laced tight by eyes
that never saw
the atom in me
as good as the atom
in you—
walt, you contain
enough, why don’t
you let it out then?
speech is the twin
of vision, unequal
to measure itself,
but i, i celebrate
not the self that’s built,
but the self that’s
unraveling,
thread by thread,
a kosmos of unravelings.

i cannot see my soul but know ’tis there
(a narrow fellow in the grass
occasionally rides—)
the body grows without—
afraid to own a body,
i put it from me—
like a woolen mitten
in summer, or the
wife who lays her
plaything unmentioned
in the corner of a drawer.

success is counted sweetest
by those who ne’er succeed—
so unbecoming is the sweetest
by those who ne’er were some
body at all.

you shall above all things
be glad and young
for if you’re young,
whatever life you wear
it will become you;
and if you are glad
whatever’s living
will yourself become.

but i? i am the dangerous
looseness of doom,
finding it unbecoming—
we can never be born
enough, you and i,
human beings for whom
birth is the mystery
of growing: which happens
only when we are faithful
to our unselves.

O the past and present wilt—
i have fill’d them,
emptied them,
and now i unbecome
the bard of personality,
pressing the pulse
of the life that has seldom
exhibited itself—
the great unbecoming
of man in himself.
i pass death with the dying
and birth with the new-wash’d babe,
not contain’d between
hat and boots,
but spilling out,
a transparent eyeball
seeing all,
nothing.

i carry your heart with me
(i carry it in my unbecoming)
for whatever we lose
(like a you or a me)
it’s always our self we find
in the sea—
the blond absence of any program
except last and always
and first to live
makes unimportant
what i and you believe.
love’s to giving as to keeping’s give;
as yes is to if,
unbecoming is to yes.

O i am large, i contain
multitudes—of nobodies,
of unravelings,
of grassblades and frogs
and the dangerous looseness
we wear like doom,
becoming.
un
(becoming) the endless
song of my
self—
un
done.

:: 01.22.2026 ::


FREEDOM

I hear the call rolling, rolling, the call of Egmont,
heavy as the tread of empires marching slow across the earth,
three grave beats to the measure, like the pulse of shackled nations,
Spanish heel grinding into Flemish soil, proclamations hanging dark and unanswerable,
yet under them the people stir, restless, multitudinous, whispering of plots, of hidden fire,
of men and women breathing in cellars, in fields, in harbors, refusing to be still.

Then comes the leap—O the sudden charge!
Downward rush like Egmont himself bounding forth, prophet, fighter,
no asking, no kneeling, only the body hurling into storm, into cannon-smoke,
torches darting flame on rain-slick streets,
the second surge rising, seizing the tyrant’s drum and beating it backward,
turning the march of chains into the march of heroes,
oppression’s own rhythm stolen, inverted, worn as a defiant banner!

I see the battle without name, the struggle twisting, clashing, fragmenting,
armies colliding on open plain, sweat and blood and iron taste in the mouth,
the old solemn dance returning heavier, darker, almost swallowing the light—
execution nearing, Klärchen’s sweet ghost dissolving into air,
Egmont in the dungeon, head erect, words forming like sparks on dry tinder.

Yet listen—O listen to the hush, the deep hush after cruelty’s boast!
Too quiet, too deep—then a stirring, like the first green shoot refusing the grave,
the tremor upward, the distant horns of coming dawn,
the final kindling, blazing, not mere endurance but transfiguration!
Martyrdom bursting into sun, fanfares of the spirit tearing darkness apart,
chains shattered—not by muscle alone but by the soul’s great refusal to bow,
final strokes ringing, ringing, freedom purchased in red, ringing clear forever.

I sing the soul of resistance in every sudden blow,
rhythm that will not lie down quiet,
the man facing the axe who makes the blade lightning,
Egmont living longest when the last shout dies—
in the great silence after, still vibrating through me, through you, through every breast that beats democratic and free.

O I am the one who contains multitudes—
the prisoner, the executioner, the torch-bearer, the widow weeping,
the dawn that will not be buried, the people rising as one vast body electric!
All tyrannies fall, all heroes rise in the same immortal pulse,
and in this uprising I hear America too, unborn then, yet already shouting in the blood,
I hear myself in Egmont, I hear you, reader, comrade, in the triumphant close—
we are not conquered, we are not silent,
we are the resurrection, the undaunted stride, the endless song!

:: 01.21.2028 ::


FEATHERS FROM A GOODWILL STORE

I’ve stripped away the gritty streets, the whiskey bottle, the fedora-shadowed heel,
and let the encounter dissolve into something tender, vulnerable, boundless.

The dame of fire becomes a quiet, opening miracle—soul no longer a broad name,
but the deepest secret blooming. The smoke and devouring darkness soften into petals,
rain, stars held apart by wonder.

The voice is lowercase-i, parentheses nesting like hearts within hearts, punctuation
scattered like raindrops or breaths, lines tumbling freely, joyfully broken yet whole.

No more hard-boiled surrender; instead, a glad, trembling yes to fragility that devours
only to make more alive; somewhere i have never walked(so gladly)beyond
any wet street or heel’s tired echo

your eyes have their silence:
in your most frail gesture are things which enclose me
or which i cannot touch because they are too near

just a joe(i was)smoking life
down to the filter of alone
believing whiskey could steady the shake
until you cut through the ice-fog

a broad dame of fire? no
soul opens petal by petal
myself as Spring opens(touching skilfully,mysteriously)
her first rose

and in that instant i swore
i’d torch every shanty dive
just for the curve
of your smile—
horns wail low(serenading Melancholy)
but longing is broader than hips
a grin sharp enough
to kill weaker souls?

no

it uncloses me
easily
no longer do my heels whisper-walk alone
noir lights bleed?

they bloom
smoky kisses swallow?
they sing
dark fruit of secret love
devours

and i let it(i let it gladly)
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life
which grows higher than soul can hope or mind can hide)

and this is the wonder
that’s keeping the stars apart
i carry your soul(i carry it in
my soul)

:: 01.19.2026 ::I’ve stripped away the gritty streets, the whiskey bottle, the fedora-shadowed heel,
and let the encounter dissolve into something tender, vulnerable, boundless.

The dame of fire becomes a quiet, opening miracle—soul no longer a broad name,
but the deepest secret blooming. The smoke and devouring darkness soften into petals,
rain, stars held apart by wonder.

The voice is lowercase-i, parentheses nesting like hearts within hearts, punctuation
scattered like raindrops or breaths, lines tumbling freely, joyfully broken yet whole.

No more hard-boiled surrender; instead, a glad, trembling yes to fragility that devours
only to make more alive; somewhere i have never walked(so gladly)beyond
any wet street or heel’s tired echo

your eyes have their silence:
in your most frail gesture are things which enclose me
or which i cannot touch because they are too near

just a joe(i was)smoking life
down to the filter of alone
believing whiskey could steady the shake
until you cut through the ice-fog

a broad dame of fire? no
soul opens petal by petal
myself as Spring opens(touching skilfully,mysteriously)
her first rose

and in that instant i swore
i’d torch every shanty dive
just for the curve
of your smile—
horns wail low(serenading Melancholy)
but longing is broader than hips
a grin sharp enough
to kill weaker souls?

no

it uncloses me
easily
no longer do my heels whisper-walk alone
noir lights bleed?

they bloom
smoky kisses swallow?
they sing
dark fruit of secret love
devours

and i let it(i let it gladly)
here is the deepest secret nobody knows
(here is the root of the root and the bud of the bud
and the sky of the sky of a tree called life
which grows higher than soul can hope or mind can hide)

and this is the wonder
that’s keeping the stars apart
i carry your soul(i carry it in
my soul)

:: 01.19.2026 ::


THE HOWL

i bleach the sky
to bone — each night
wrong heavier than
sun can lift
two moons
howl
round
alone
they’re always
there
(aren’t they)
whatever i’ve
doneornotdone
till all is ghost —
& wrong heaves up
a blackboilingsea
the moons become
twoFangs
tearing night
apart
at last
& shriek
thou art
thou always
wert
with
me
then silence
mounts
on hoofs
of frost
heavens fold
like brokenwings
no Right
no Wrong
survives
only
the howl
that wears
my name
and
sings


UNDER THIS STUBBORN PULSE

My apologies to death for refusing to rehearse it daily.

My apologies to oblivion if I mistake this breath for permanence, after all.

Please, don’t be angry, life, that I seize you as my own—
even when the weight of you bends my spine like winter wind.

May the shadows be patient with the way I keep turning toward light.

My apologies to despair for laughing when it almost had me.

Forgive me, endless night, for borrowing stars to light my small room.

Forgive me, open graves, for stepping over you with bare feet.

I apologize to the void for filling it with stubborn heartbeats,
to the silence for speaking when nothing asked me to.

Pardon me, old wounds, that I let them scar instead of swallow me.
Pardon me, hounded fear, for daring joy in your presence.

And you, relentless dawn—always arriving, always the same gold—
forgive me if I sometimes close my eyes, yet still rise.

My apologies to the fallen for standing when they could not.
My apologies to great endings for these small, defiant continuings.

Truth, don’t stare too hard at my trembling hands.
Dignity, be kind enough to let me falter and still call it courage.

Bear with me, O mystery of staying alive, as I gather the scattered threads of day
and weave them into another fragile tomorrow.

Soul, don’t scorn me for clinging to you only in the narrow spaces between breaths.

My apologies to everything that I can’t vanish gracefully.

My apologies to everyone that I persist, stubbornly human,
when the easier path was surrender.

I know I won’t be absolved as long as I breathe,
since survival itself stands in the way of perfect peace.

Don’t bear me ill will, breath, that I borrow your force
then labor fiercely so it may seem effortless.

There—dark and light entwined, survival as both apology and defiance.
A quiet roar in the desert night.

:: 01.15.2026 ::


I DON’T KNOW WHAT IT IS

He is the hour the streetlamp flickers once
and decides to stay lit anyway.

Born in 1963 — thin ice, louder radios —
he carries in his palms fourteen thousand small rescues.

Each poem a sparrow lifted from the road
before the next truck arrives.

Each canvas a heart that refused to clot.
Three black moons live in his house —
Chai, Notsu, Earl —

walking velvet paws across unfinished lines,
sleeping in the margins where mercy hides.

He peels old names from skin
like labels from jars of forgotten jam
and writes on the raw place: still sweet.

When the world shouts its own importance
he listens instead to the hush between breaths,
to snow falling on graves never dug,
to rubber boots that once held tiny heads
and still remember how.

He does not shout.
He simply continues —
a slow, stubborn blooming
in the cracked concrete of the century.
eprobles is not a monument.

He is the wind that moves the monument
just enough
to let light fall where it was never meant to fall.

Tonight, in the small room where the cats are dreaming,
he writes again —
because the world is still turning,
and someone has to witness
that it turns with tenderness.

:: 01.12.2026 ::


THE HAT CAT PEOPLE

The Hat Cat People are an as yet unknow extremely rare type of cat.

It was written in all the tomes of love and life and beauty.

Until after so many years they were forgotten to not only truth but common sense.

A Hat Cat Person can take over a human by laying upon the human’s head.

Once this is done the human is at the mercy of the cat.

All control is gone.

That is why The Hat Cat People wear hats, you see.

To conceal the true master of that human.

The Hat Cat Person.

Their people.

And their Nation’s Song:

“In shadowed attics ‘neath the gas-lamp’s fitful gleam,
They stir from slumber, velvet paws a-dream,
Whiskers twitching ‘gainst the mortal brow—
O, frail vessel! Yield thy throne e’en now.

From crown to toe, the sinews bend and bow,
To feline fancy, purring soft as sin;
The tongue that spake of empires, markets, men,
Now laps at cream in parlours dim within.

Yet mark ye well, ye mortals clad in clay,
The brim that droops like weeping willow’s spray—
Lift it, and lo! The eye of jade shall glare,
A realm reclaim’d from time’s oblivious snare.

For in each hatted shade, from lord to knave,
A Hat Cat reigns, insidious and brave;
Their legions whisper through the fog-shroud’d street,
Beauty restor’d in conquests cold and sweet.

Thus sing the tomes, in dust and silence lain—
Awake, O world! Or wear their hats in vain.”

Sang their National Anthem.

:: 01.05.2026 ::

(Note: this is an on-going piece of art as a bedtime story for my grand-daughter, “Evie.”)


LOGOPHILLIA MINIMA

In the quiet cradle of a single syllable,
a world awakens—soft as breath on glass.
One word, small seed, cracks the silence open,
and suddenly the universe is speaking back.

We are lovers of the least of these:
the hush between two letters,
the spark that leaps from tongue to ear,
the tiny bridge a vowel builds across the dark.

Logophilia minima—

the art of falling hard
for the smallest units of meaning,
for the atom of sense that explodes into galaxies.

Consider “if”—
two letters, one breath,
holding every crossroads ever walked.
Or “yes,” a door flung wide
on hinges made of air.

See how “dot” becomes a period,
a full stop, a world’s end—
then flips to become a point of light,
the start of everything again.

We hoard these crumbs of language
like misers with bright coins:
“oh,” the circle of surprise;
“ah,” the slow exhale of understanding;
“mm,” the hum of satisfaction
when the world fits perfectly inside the mouth.
In the minimal, the infinite hides.

A child’s first “ma”
contains every lullaby ever sung.
A lover’s whispered “stay”
holds back the tide of night.
We bow to the power of less:
how “no” can build a wall
stronger than empires,
how “go” can launch a thousand ships
on nothing but intention.

Logophilia minima—

celebration of the spark,
the mote, the glint,
the almost-nothing that becomes
everything when spoken true.

May we never lose
this small, fierce love
for the least word,
the tiniest truth,
the quiet syllable
that carries the weight
of all the worlds
we have not yet named.

For you, for me, for everyone
who has ever paused
at the beauty of a single sound
and felt the whole sky
lean in to listen.

:: 01.04.2025 ::

Definition of this New Phrase I created: the literal interpretation of “logophilia minima” would be a “minimal” or “very small love of words,” or potentially an appreciation for only the briefest or fewest words.