Tag Archives: #words

CALL ME BROKEN

Oh, speak not of my heart untrue,
Though absence seeks to temper my desire,
As readily I could bid myself adieu
As part from the soul within your fire.
In your bosom lies my dwelling of love:
If I’ve strayed, like threads unraveled, I return,
To the moment, not with time exchanged above,
Yet with my essence, a cleansing urn.
Never think, though frailties course my veins,
That they could mar this sacred trust we share,
To forsake, for naught, your myriad gains,
For you, my rose, my universe is bare.
Within its vast expanse, hear my call,
For nothing exists, save you, my all.

:: 01.26.2024 ::


THE CANVAS OF TIME

THE SKIN is prominent
within all of Life

Whose dippy hands cross rhyme
within a strange water
called Time

/ as we are all /

nothing / and memories that flow___

In the tapestry of moments, we weave
Threads of laughter and tears, perceive
The dance of shadows in the mind
A kaleidoscope of memories we find

Yet, within this vast expanse of recall
Fragments of existence, both big and small
Nothing but echoes in the grand design
Whispers of a fleeting, ephemeral sign

The hands of Time dip in the waters deep
Creating ripples where memories sleep

An intricate dance of joy and strife
Etched upon the canvas of Life

And as we navigate this transient sea
Our skin, a vessel of identity

In the tapestry, we play our part
A symphony of the soul, a work of art.

:: 01.23.2024 ::


MYSTERIOUS ETYMOLOGIES

MYSTERIOUS ETYMOLOGIES

and which came first?
syllable or the sound
of pain?
what…did you say?
they ARE the same
whether uttered or
spoken or eventually
written — all the same!

must a glyph truly obtain
a sense of distinction?

it is now its own.

:: 07.14.2020 ::

Notes for the Students:

THIS POEM explores the interconnectedness of language, sound, and emotion. The poet contemplates the origin of words and the relationship between syllables and the expression of pain. The question of which came first, the syllable or the sound of pain, reflects on the primal and innate nature of language as a means of conveying human experience.

The repetition of the phrase “they ARE the same” emphasizes the unity of spoken and written language, suggesting that the essence of expression remains constant across different forms. The poem questions the necessity for a glyph (a written symbol) to have a distinct meaning, implying that language evolves organically and may not always follow rigid rules.

The final lines, “it is now its own,” suggest a sense of independence and self-contained identity for language. This could be interpreted as an acknowledgment of the power of language to shape its own meaning and significance over time.

Overall, the poem invites readers to reflect on the mysterious and evolving nature of language, emphasizing its ability to capture and convey complex emotions and experiences.


BROKEN SHARDS OF LOVE

I look at the sun — in my dreams
i am a TRAVELING gentleman
into the deep sees

: \ ;/

If by some some years you heard
it was clear ooh — ooooh

Oooh — baby bebe bebe ooooh!

I saw your love (heart) i'[m crying

as i am substrate –= love and feeling

oooooh – love | A rose of love and red
leaves no trace — i will return : \
i touch KASMIRE | OH father,
dead. like our wife / my mother \ how
i learned your mistakes _.

\In the realm of the mind’s turmoil, the dance with mental illness,
the eccentricity that whispers of madness, may appear as a spectacle
when observed from afar, yet the mirth fades when experienced within.

Picture your most haunting nightmare, let it linger in your thoughts.
Now, envision a scenario where awakening is elusive, for you are already
ensconced in the wakefulness of the perpetual dream. Those fantastical notions
that weave coherence in the realm of slumber start to intertwine with waking reality.

I sense your curiosity, the yearning to decipher if my journey mirrors such a narrative.
However, my revelation shall remain veiled for now; forgive my reticence, as our acquaintance is but in its nascent stage.

Should apprehension whisper in the recesses of your mind, casting shadows
upon your countenance, there’s a subtle unease that graces your features.

Ah, I comprehend. You ponder whether my quest to “awaken” might incite a descent into madness,
a trepidation that precedes the revelation of truth. Well, let me assure you, for some,
that is the path untrodden, but not for those who find solace in my company. The journey to “awakening” need not be accompanied by the tumult of psychosis. Yet, I am transparent with you – the aftermath of a “nervous breakdown” renders the mind fragile, a state undesirable, I assure you. The labyrinth of thoughts can lead one astray, inflicting years of tumult from which recovery proves elusive. It can sever ties with those cherished, those held dear. I implore you to steer clear of such perils, especially you, with your endearing nature. I find you delightful, and in our journey together, certain guidelines must be etched, for I must discern when your presence graces our shared realm…

:: 01.21.2024 ::


ODE ON A GRECIAN URN

WHEN I WAS A LITTLE boy

i knew no wisdom
i knew no hate
i knew no lies

WHEN I GREW UP

i understood history
i understood love
i understood truth

NOW AS I AM DYING

i know a lot will change
i know the world will be busy
i know my appointments are unanswered

POST-LIVE REVELATION

How so many live for the sake of beauty
How so many quietly die for martyrdom
How so many understand Ode on a Grecian Urn

:: 01.17.2024 ::

Poet’s Notes:

This poem, titled “LIFE AS A BEAUTIFUL SOUL,” explores the journey of life from childhood innocence to mature understanding and reflection on the complexities of existence. The structure of the poem is divided into three distinct phases: childhood, adulthood, and the contemplation of mortality.

In the first stanza, the speaker reminisces about their childhood, portraying a time of innocence and purity. The use of lowercase letters and short, straightforward lines reflects the simplicity of a child’s perspective. The absence of wisdom, hate, and lies in this stage suggests a state of blissful ignorance.

The second stanza marks the transition to adulthood, where the speaker claims to have gained a deeper understanding of history, love, and truth. This indicates the inevitable acquisition of knowledge and experience as one grows older. The use of “understood” implies a level of comprehension and awareness that comes with maturity.

The third stanza takes a poignant turn as the speaker reflects on the imminent end of life. The awareness of impending change, the busy world, and unanswered appointments conveys a sense of urgency and the fleeting nature of time. The speaker’s acknowledgment of these impending changes adds a layer of reflection on the transience of life.

The final stanza, titled “POST-LIVE REVELATION,” delves into broader themes. It contemplates how many people live for the sake of beauty, suggesting the pursuit of aesthetic experiences and appreciation. The mention of quietly dying for martyrdom adds a somber note, hinting at sacrifice and devotion. The reference to “Ode on a Grecian Urn” by John Keats suggests a connection to art, beauty, and the timeless nature of artistic expression.

Overall, the poem encapsulates the universal journey of life, from innocence to wisdom, with a contemplative gaze upon mortality and broader reflections on beauty, sacrifice, and the enduring impact of art. The use of concise and straightforward language contributes to the poem’s accessibility and emotional resonance.


HOW LIFE IS THE BEST OF ALLTHE IMPOSSIBLE EXPERIENCES

SHOULD you embark adorned with the flame within my lips,
my Soul lowers bloom, colors emerge as brilliant petals unfurl
Breeze sways, that soft touch, sunlight a dappling

Her fragrant air, nature’s tapestry, as bees hum
as Butterflies flutter, dewdrops kisses
Golden rays weave, flowers sway.

Should you enter to inaugurate the pace, the calling,
and in service, exist to dwell, to slumber, to savor all that’s forfeit,
from the castaway upon the shorelines,
to the cosmic expanse,
to the fervent orb aglow,
from the discarded, burgeon into luminosity,
life transmuted into solar vessels,
from the vanished, burgeon into a tree.

One for you disallows the gaze,
Prohibits trust, hearing, reliance on rendezvous’ grace.
One for you turns into a lone fragment,
Abruptly transforms into a mystery vast,
A voice from which a throat retreats in haste.

Night descends, dreams soaring above the luminance,
Dream’s limbs reaching for its coveted brilliance.
Ships, with forms akin to creatures, traverse the expanse,
I behold all, execute every act, believe each nuance,
Cease all, hear the symphony, depend on your mysterious dance.

One day, a night more impulsive, more spectral than a phantom,
In your ears, or perhaps your imagination’s anthem,
Where auditory meets visual, weaving enigmatic tales,
Language entwined with chimeras, left to the frigid gales,
Of clairvoyances, old torches, neglected and untraveled trails.

In whom does imagination find laughter’s embrace?
From eyelids beyond, impulses seek your trace,
To discover, to caress, to invoke your aid,
In a star within, a soul greater, in the body’s impulsive serenade.

Nature never did betray the heart that loved her!

:: 12.30.2023 ::


LOVELY STAR

Hey lovely Star who burns bright
Hey, how you move me Hey, how you move me in night and day like winter and summer her flesh is angelic and our love caught in a shade — a tool / a devise of savior and i look up to Christ but my eyes burn me _ Hey, you…the angelic One i found no sex but somber thoughts killing for a position that fits me\ i won’t move shame: A TOOL a devise for savior i tried to look up to the skies but my eyes burn ~ looking fine i cried~ looking fine i cried
knowing I am okay…just fine

lovely star
you move me.

:: 12.29.2023 ::


ALL OUR LOVE

Beneath the boughs so green,
Where love and I recline serene,
And echo a joyous song,
To the bird’s melodious throng,
Approach, approach, approach:

Here shall we find,
No adversarial wind,
Only winter and weather wild.

For those who spurn ambition’s chase,
And cherish the sun’s warm embrace,
Feeding on life’s simple fare,
Content with what is granted there,

Approach, approach, approach:
Here shall we find,
No foes unkind,
Only winter and weather wild.

For those who spurn ambition’s chase,
And cherish the sun’s warm embrace,
Feeding on life’s simple fare,
Content with what is granted there,
Approach, approach, approach:

Here shall we find,
No foes unkind,
Only winter and weather wild.

In this haven of tranquil reprieve,
Where hearts and nature interweave,
A sanctuary free from strife,
Embracing the rhythm of simple life,
Approach, approach, approach:

Here shall we find,
No tumultuous grind,
Only winter and weather wild.

As seasons change with a gentle hand,
Through the cycles, we understand,
The beauty in moments, both calm and reviled,
Embracing the dance of winter and weather wild.”’*

*BEAT, BEATH, BEATH, BAet iA LOVE!

:: 12.25.2023 ::

Beneath the boughs so green,
Where love and I recline serene,
And echo a joyous song,
To the bird’s melodious throng,
Approach, approach, approach:

Here shall we find,
No adversarial wind,
Only winter and weather wild.

For those who spurn ambition’s chase,
And cherish the sun’s warm embrace,
Feeding on life’s simple fare,
Content with what is granted there,

Approach, approach, approach:
Here shall we find,
No foes unkind,
Only winter and weather wild.

For those who spurn ambition’s chase,
And cherish the sun’s warm embrace,
Feeding on life’s simple fare,
Content with what is granted there,
Approach, approach, approach:

Here shall we find,
No foes unkind,
Only winter and weather wild.

In this haven of tranquil reprieve,
Where hearts and nature interweave,
A sanctuary free from strife,
Embracing the rhythm of simple life,
Approach, approach, approach:

Here shall we find,
No tumultuous grind,
Only winter and weather wild.

As seasons change with a gentle hand,
Through the cycles, we understand,
The beauty in moments, both calm and reviled,
Embracing the dance of winter and weather wild.”’*

*BEAT, BEATH, BEATH, BAet iA LOVE!

:: 12.25.2023 ::


SORROW’S WAIL

Upon yon hill whose sheltering hollow told

A mournful tale echoed by the distant dale,

My spirit bowed to hear the twofold fold,

And there I lay to catch the sorrow’s wail.

Ere long, a wan maiden, a heart turned frail,

Tore papers, shattered rings in anguished disdain,

A tempest in her world, sorrow’s wind and rain.

A woven hive of straw crowned her pale head,

A shield from the sun for her countenance worn,

Where fleeting glimpses of beauty once tread,

Now lingered, a carcass, faded and torn.

Time, with his scythe, youth’s bloom had not shorn,

Nor had youth completely its lease surrendered,

Some beauty through the lattice of age tendered.

Her napkin oft she raised to her tearful eyes,

Where characters of woe were carefully displayed,

Cleansing the silken symbols with briny sighs,

In a sea of sorrow where grief had waded.

She read the contents, her soul invaded,

And often cried in undistinguished woe,

In clamors both high and low.

Her gaze at times aimed at celestial spheres,

As if in battle with the cosmic intent;

Yet, her eyes sometimes tethered by earthly fears,

To the rounded earth, in submission, they were bent.

Then, their vision extended, to every place it went,

Nowhere fixed, mind and sight in distraction twined,

A disarray of thoughts and sights entwined.

Her hair, neither restrained nor formed in a braid,

Proclaimed in her a casual touch of pride,

Some strands untucked, by her hat gently laid,

Beside her pale and withered cheek they glide.

A threaden fillet some locks did abide,

True to bondage, unwilling to break free,

Loosely braided in negligent glee.

From a basket, a thousand treasures she drew,

Of amber, crystal, and beaded jet,

One by one into a river they flew,

Where she sat upon its weeping bank, her silhouette.

Like usury, applying wet to wet,

Or a monarch’s hands that withhold bounty’s fall,

Where need whispers some, excess begs all.

Folded schedules, she had many a one,

Perused, sighed, torn, and given to the flood,

Cracked rings of gold and bone, one by one,

Commanding them to find a mud-cloaked tomb they should.

More letters found, sadly penned in blood,

With silk sleek and affectedly adorned,

Sealed in secrecy, to curious eyes they were scorned.


ISN’T IT SOMETHING

Isn’t it something
how the sun rises
how the flowers sway
how the opinions of those
who hate never matter

Ha, isn’t it a thing
like a private joke
between you and me?

I go away sometime at night
where i’m elsewhere;
sometimes in a big house
other times on the shore
of a far flung place
where love lives

And now, this is a piece
of prose that never lost
faith in love’s strength
and how i describe Life
as a sculpture chiseled by
steady creative hands

And this is all for you;

keep it private
and cherish the love
and how simple words are
they express wonderfully
how life is_______

Isn’t it something?

:: 12.25.2023 ::