Tag Archives: #writers

Shadows of Humanity(The Thriving Tree Within)

IF we ceased to impoverish others,
Pity would hold no significance.

And if everyone shared our bliss,
Mercy would lose its existence.

Peace emerges from shared apprehension,
As self-centered affections thrive.

Cruelty then weaves its trap,
Delicately laying its snares.

With pious trepidation, one contemplates,
Cleansing the earth with tears.

Humility takes root,
Beneath the weight of their step.

Gradually, the gloomy shadow spreads,
Mystery envelops their mind.

Caterpillars and flies,
Feast upon enigma.

The tree yields fruits,
Deceptive and enticing.

Raven constructs its nest,
In the thickest of its shade.

Earth and sea’s divine beings,
Explored nature in pursuit of this tree.

Yet their quest proved futile,
For it thrives within the human mind.

:: 06.07.2023 ::

Poet’s Notes:

My poem delves into the intricacies of human nature and the interconnectedness between human actions and their impact on others. The poem can be interpreted as a commentary on the destructive nature of selfishness and the potential for redemption through self-reflection and humility.

The opening lines, “If we ceased to impoverish others, Pity would hold no significance. And if everyone shared our bliss, Mercy would lose its existence,” highlight the consequences of neglecting the welfare of others. The speaker suggests that empathy and compassion only hold meaning when contrasted with the existence of suffering.

The theme of interconnectedness continues as the poem progresses. “Peace emerges from shared apprehension, As self-centered affections thrive” implies that true peace can be achieved when individuals acknowledge and empathize with the concerns of others. The subsequent lines emphasize the insidious nature of cruelty, likening it to a trap carefully laid out.

The poem then takes a reflective turn, with the lines “With pious trepidation, one contemplates, Cleansing the earth with tears. Humility takes root, Beneath the weight of their step.” Here, I explore the idea of self-reflection and personal growth. The act of contemplating and acknowledging one’s flaws is depicted as a solemn, almost religious process, paving the way for humility to take hold.

The following lines, “Gradually, the gloomy shadow spreads, Mystery envelops their mind. Caterpillars and flies, Feast upon enigma,” create an atmosphere of intrigue and transformation. I suggest that embracing humility and self-awareness leads to a sense of mystery and allure, attracting others who seek understanding.

The imagery of the tree becomes significant in the latter part of the poem. “The tree yields fruits, Deceptive and enticing. Raven constructs its nest, In the thickest of its shade,” symbolizes the allure of knowledge and enlightenment. Just as the raven seeks shelter within the tree’s shade, individuals are drawn to the depths of their own minds to uncover profound truths.

The final lines, “Earth and sea’s divine beings, Explored nature in pursuit of this tree. Yet their quest proved futile, For it thrives within the human mind,” suggest that despite the search for external enlightenment, the true source of wisdom lies within the human psyche. It implies that individuals possess the capacity for self-discovery and personal growth.

As a Nobel laureate poet, the author skillfully weaves together themes of interconnectedness, self-reflection, and the allure of knowledge. Through the use of evocative imagery and thought-provoking language, the poem encourages readers to contemplate the impact of their actions on others and to embark on a journey of inner exploration.


SLAVES TO ANNIHILATION

INSIDE the mind resides unwritten, unsung unworldly laws

—the dust meets the dirt the flesh releasing blood ;

a propensity of the circle called Life.

how we try and kill it all away only to remember
everything said, seen, felt and done has universal
purpose.

Oh sweet One how everyone climbs the walls

reaching for it all only to find it mud then we slide down.

We wear a crown of imprisoned madness
as most to never again feel a thing.

and we never break away because we’re alone

Each month, season, decade, century

we remove all that empire we call

humanity.

Once a ghost now hallucinations are more alive.

That we dreamt everywhere now just slaves

to annihilation.

:: 03.16.2022 ::

Poet’s Notes:

The opening line creates a space of introspection, suggesting that our mind is a place of “unwritten, unsung unworldly laws.” This could be interpreted as our innate sense of morality or the unspoken rules and norms that govern our thinking and behavior.

The line “the dust meets the dirt the flesh releasing blood” can be seen as a symbol of mortality and the inevitability of death, a theme which is often present in existentialist literature. The fact that the dust meets the dirt may reflect the biblical sentiment of ‘from dust we are, to dust we will return’, while the flesh releasing blood could be an image of sacrifice or struggle.

The following phrase “a propensity of the circle called Life” depicts life as a cycle, underlining its repetitive and inevitable nature. The use of the word ‘propensity’ implies an inclination or natural tendency towards this cycle.

The next stanza evokes an image of desperate striving and futile attempts to escape the harsh realities of life. The imagery of people “climbing the walls” only to find “mud” and “slide down” speaks to human ambition and the often disappointing outcome of our efforts. This can be a critique of materialism and the relentless pursuit of success in modern society.

The phrase “We wear a crown of imprisoned madness” is a striking metaphor for the human condition. It suggests a royal burden of insanity, possibly due to the pressures and absurdities of life that we’re forced to bear.

The passage “Each month, season, decade, century / we remove all that empire we call / humanity” implies that over time, we are slowly stripping away our humanity. This may refer to the loss of values, empathy, or our connection to each other and the world around us.

In the line “Once a ghost now hallucinations are more alive,” the transformation of a ghost into a hallucination could symbolize how our fears and worries, initially intangible, can grow to dominate our perception of reality.

The closing phrase “That we dreamt everywhere now just slaves to annihilation” concludes the poem with a sense of fatalism. The word ‘dreamt’ hints at past aspirations and hopes, now reduced to servitude to ‘annihilation’, which could be a metaphor for death, oblivion, or the destructive tendencies of mankind.

Overall, the poem conveys a bleak yet introspective view of human existence, filled with struggle, disillusionment, and existential angst, provoking the reader to consider the cyclical nature of life, the pressures of society, and our own mortality.


In Name Called Love

From celestial realms, I descend in glory,
Apollo, the radiant, I weave this story.
With words that burn and verses that blaze,
I shall compose the greatest poem that amazes.

In golden chariot, across heavens I ride,
A fiery muse ignites my heart’s pride.
With boundless ardor and artistic might,
I’ll sculpt a masterpiece with words so bright.

Oh, muse of epic tales and lofty dreams,
Grant me the power to soar in heavenly streams.
Let the heavens tremble and earth be still,
As my words, like arrows, strike with skill.

I’ll paint the skies with hues of cosmic art,
Unveiling secrets of the human heart.
In every line, emotions shall dance,
The tapestry of life, I shall enhance.

I’ll sing of love, both gentle and fierce,
Of whispered promises and passions that pierce.
Through longing sighs and tender embraces,
I’ll capture the essence of divine graces.

The wonders of nature, I’ll eloquently unfold,
Mountains majestic, and rivers untold.
From dawn’s first light to twilight’s embrace,
The beauty of creation, I’ll forever chase.

I’ll traverse the realms of myth and lore,
Unraveling mysteries like never before.
Heroes will rise, their valor untamed,
Their names forever engraved, never to be maimed.

From the depths of sorrow to the zenith of glee,
My verses shall flow like the mighty sea.
Through life’s triumphs and sorrows that wail,
I’ll breathe solace into every despairing tale.

Oh, Apollo, God of the lyrical verse,
In this grand ode, let all beings immerse.
May my words ignite a celestial fire,
And inspire generations with divine desire.

So, let the words cascade like a heavenly choir,
In this symphony of beauty, I’ll never tire.
For I, Apollo, the god of inspired art,
Shall etch this poem upon the human heart.

With unwavering spirit and limitless reign,
I gift the world my greatest poem, unchained.

:: 06.03.2023 ::


Ode to Nothing

When I believe in love that
may never cease to be
the man I am has become me
Before the night has waxed
Before the candle leans forth
I hold upon the temple
a heart who made me my own
grassy knoll sleeps of love
and scents of nature’s romance
is when I feel complete
I have tasted the elixir
of faery power — the unreflected
love of my own happiness
to be just to be
to love and nothingness
is quite the feeling in life


BRAVEST OF WRITER DRINK PROSE

Oh, dearest seeker of linguistic lore,
With ardor I embark on this poetic chore.
In a symphony of syllables, I shall impart
The marvels of English pronunciation, an intricate art.

Listen closely, Jenny, as I guide your way,
Through a labyrinth of sounds that often sway.
I’ll weave a tapestry of words, both bleak and bright,
And together we shall venture into this poetic night.

Corps and corpse, horse and worse,
A quartet of phonetic universe.
Your mind, Jenny, shall dance in dizzying delight,
As I unravel the mysteries, unveiling them to light.

A tear may fall from your sparkling eye,
And a delicate dress may rend with a sigh.
But fear not, for my devotion is true,
I shall suffer alongside you, as this journey ensues.

Now, let us compare heart, beard, and heard,
A triad of words that seem absurd.
Dies and diet, lord and word,
Sword and sward, with caution they must be heard.

Britain, retain, oh mind the way they’re written,
Let not their spelling leave you smitten.
And worry not, I shall not pester you so,
With words like plaque and ague, which bring much woe.

But heed my counsel, speak with utmost care,
For break and steak differ from bleak and streak.
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.

Devoid of trickery, I enunciate,
Daughter, laughter, and Terpsichore, oh so great.
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles.

Scholar, vicar, and the lingering cigar,
Solar, mica, war, and journeys afar.
Anemone, Balmoral, a touch of grace,
Kitchen, lichen, laundry, laurel, embrace.

Gertrude, German, wind, and thoughts so kind,
Scene, Melpomene, the tapestry of mankind.
Billet does not rhyme with the ballet’s sway,
Nor bouquet, wallet, mallet, chalet’s display.

Blood and flood, they do not align with food,
Mould does not echo should and would.
Viscous, viscount, load, and broad,
Toward, forward, reward, let their harmony applaud.

And when your pronunciation rings clear,
Croquet, a game of leisure, let it appear.
Rounded, wounded, grieve, and sieve,
Friend and fiend, alive and live.

Ivy, privy, famous, clamor’s song,
Enamor rhymes with hammer, strong.
River, rival, tomb, bomb, and comb,
Doll and roll, some and home, find their home.

Stranger, anger, a subtle difference found,
Devour, clangor, their rhymes astound.
Souls and foul, haunt and aunt,
Font, front, wont, want, grand, and grant.

Shoes, goes, does, let them gracefully flow,
Finger, singer, ginger, linger, in succession they show.
Real, zeal, mauve, gauze, gouge, and gauge,
Marriage, foliage, mirage, and age.

Query, very, they don’t mirror each other,
Fury and bury, neither do they smother.
Dost, lost, post, doth, cloth, and loth,
Job, nob, bosom, transom, oath.

Seemingly small, these differences stand,
Actual and victual, hand in hand.
Refer and deafer, they part ways,
Feoffer, zephyr, a gentle breeze conveys.

Mint, pint…

:: 06.01.2023 ::


I SEE BLUE WAVES UPON THE OCEAN’S SOUL

I

Whence does the self emerge, as I unbind from the glacial bloom?
What adoration lingers within that feminine reverie’s realm?
In love’s force, betwixt ecstasy’s embrace,
Where his palm parts the captured gull,
Unconscious eyes disclose intricate tales,
Veiling existence’s essence, that which conceals.

II

I hold affinity for all that resides,
Shadowy whispers of quotidian nourishment,
A vessel’s wake, fading into oblivion’s grasp.

‘Tis the tremor of the abyss, embracing abundance,
A woman donning stockings of ethereal velvet.

Arrange, we must, the waves, diverse and arrayed,
The melancholy, thou embodiment,
Or one who, world idolized, ventures forth,
Knees adorned with wings, poised mid passion’s flight,
Within love’s central day,
I shall never deceive, but embrace entirety’s plight.
Freedom, mine, in its cruelest form,
Behold the insular artistry,
Where danger finds solace, its taste revered.

Love, the transgressor of societal norms,
Customs yet to be acquired, in anticipation we wait,
Love, exalted, with all its rightful claims,
And the ever-transforming world,
Glimpsed through kaleidoscopic gazes, each day anew.

:: 05.21.2023 ::


INTRUSIONS OF NATURE

In a cascade of light, like melted wax,
It strayed, mischievous and free-spirited,
Across her smiling lips (I watched intently),
Then found solace upon her bosom, a midge on a rose.

I pressed kisses upon her lovely ankles,
And in response, her laughter erupted,
Melodious and sweet, with vibrant notes,
Her laughter, like cut glass, sparkling and clear.

Her dainty feet sought refuge in her skirts,
As if to say, “That’s enough, no further,”
Yet she relented, allowing the moment to unfold,
Her laughter offering no true reproach.

Her vulnerable eyes danced beneath my lips,
Gently caressing, a tender application.
She tossed her head back in mock despair,
“Really, Monsieur,” she playfully exclaimed.

And then, with a kiss upon her breast,
I met her challenge, provoking laughter anew,
That laughter, signaling consent and readiness,
She stood there, nearly undressed, and resolute.

Outside, brazen trees leaned against the panes,
Their leaves intruding, curious and near,
Snooping upon our intimate affair,
So close, too close, invading our privacy here.

:: 05.13.2023 ::


Eclipse of Existence

I dreamed a dream, but was it such a dream?

The sun’s bright flame was quenched, and every star
drifted in endless darkness without aim,
rayless, pathless, and the cold earth afar
swung blindly in the moonless void of space.
morning came and went, but brought no day,

And all men, awed by the dread despair,
Forgot their passions in this desolate fray.
All hearts grew cold, and turned to selfish prayer
For light to break this endless night of doom.

By watchfires they lived, while thrones and kings
Burnt as beacons, while huts and homes consumed.
Cities fell, and people gathered in rings
Around their blazing hearths to meet their fate,
Happy those who lived in the volcano’s light,

For all the world held naught but fear and hate.
Forests burned, and hour by hour, the night
Fell, fading all in its ebon embrace.
Men’s faces, lit by flickering firelight,

Wore an eerie, otherworldly face.

Some wept, others laughed in desperate grace.
And all around, the world descended to the dust.
Birds fluttered, beasts trembled in mortal fear,
And serpents hissed, but to no avail, for they must

Perish by the hand of those they once held dear.
War, which for a moment seemed to be no more,
Returned to glut itself upon the land,
Feasting upon blood and sullenly keeping score,

As all love fled from the earth’s barren strand.
Famine reigned, and every living thing
Fed upon the flesh of the dying and the dead,
Until bones and flesh alike were but a thing

Forgotten by time and all that lay ahead.
Even dogs attacked their masters in their need,
And yet one remained faithful to the last,
Guarding his master’s body, and with no heed

For his own hunger, he held off the ghastly cast
Of beasts and men, until at last he died,
Uttering a pitiful and desolate cry,
Licking the hand of the one who never replied.

The crowd grew famished, and yet only two survived,
Two enemies, who met beside an altar-place,
Gathering holy things for an unholy rite,
Scraping feeble ashes with skeleton hands and face,

And breathing their last breath to create a light
That mocked them both, until they saw each other’s plight,
And in their horror, they died, unknowing of the other’s name,
For famine had left them with only their mutual hideousness and shame.

The world was void, lifeless, and stark,
A chaos of hard clay, without tree or herb,
River, lake, or ocean, all motionless and dark,
And ships lay rotting on a stagnant sea, without a word.

Masts fell down piecemeal, without a sound,
And waves lay still, and tides were in their graves.
The moon had died, and the winds lay unbound,
As clouds perished, leaving nothing to save

The world from darkness, for she was the universe,
And in her shroud of night, nothing was left to curse.

:: 05.10.1992 ::


A Chance of Nature and Amusement

THE procession slowly moved in just-
ly attire; A COPHINUS occasioned
by wooden wheels
& solid beasts with a faire
amoretic group of ladies
joking about sprouting third
legs; but beast or not it left some
mouths agape ~
as others watering
& finally to his resting place
the elderly one was put to peace!

Poet’s Notes:

I would begin by noting the powerful use of imagery in this poem. The opening lines immediately draw the reader into a scene of solemnity and dignity, as a procession moves slowly by in appropriate attire. The use of the word “COPHINUS” adds a sense of antiquity and tradition to the scene, while the reference to wooden wheels and solid beasts suggests a sense of weight and gravitas.

The juxtaposition of this dignified scene with the humorous image of the ladies joking about sprouting third legs creates a sense of playfulness and irreverence, adding depth and complexity to the poem. The image of mouths agape and watering creates a sense of contrast between the solemnity of the occasion and the natural human response to beauty and desire.

The final lines of the poem bring a sense of closure and resolution, as the elderly one is laid to rest. There is a sense of finality and acceptance, as well as a recognition of the cycle of life and death. The use of the phrase “put to peace” suggests a sense of release and a return to a state of calm.

Overall, this poem demonstrates a keen awareness of the power of language to create vivid images and evoke complex emotions. The use of imagery and wordplay adds depth and nuance to the poem, while the underlying themes of tradition and mortality lend a sense of universality to the work. As a poet laureate, I would recognize this poem as a masterful example of the art of poetry.


Marsh Marigold

A melting clock dripping into a pool of clear tears,
stinging like saltwater drops shed by sad children.
A towering sun assaulted by the whiteness of women’s bodies,
as if they were melting into the skies as distorted forms within dreams.

i need no sympathy. The wind blows ~~ upon this cold night.

A mass of silk and lilies, cascading like several rainbows of color
and patterns colliding overlaping like abstract paintings
We all carry on like nothing really matters /no need no sympathy
A lone figure defending a wall, with colors and shapes of surroundings
melting and morphing into fantastical forms that defy logic.

Angels dancing within dizzying swirls of light and shadows, with their wings
transforming into fluid and organic shapes that blend into the surreal landscape.

Sometimes, yes, sometimes I wish I have had no body at all.

A golden current flowing with dark, tired arms that move with cool and calm rhythms,
while colors of surroundings blend into a vibrant green.
Oh moma, i fear the dark spaces and my skin glows with unknown energy!

A somber figure standing beneath a canopy of blue sky, surrounded by curtains
that transform into arches and hills that meld into the abstract landscape.
Oh, the glistening surface holds such surreal bubbles!
A liquid of deep, pale gold blankets the beds made by fate:

The little girls’ green and faded dresses morph into willows,
from which birds without reins flee, into the vast unknown.
Purer than gold, a yellow eyelid blinks with warmth,
marsh marigold – a symbol of your married faith, O Bride! –

At the stroke of noon, from its dull mirror, jealousy rises
As the rose-colored sphere glows with love: gray heat fills the sky.

:: 05.07.2023 ::

Analysis:

The first stanza presents a series of surreal images, including a melting clock, clear tears, and distorted forms. These images suggest a sense of timelessness and fluidity, as well as a feeling of sadness or loss. The second stanza introduces the idea of abstraction and the blending of colors and patterns, which creates a sense of chaos and confusion.

The third stanza presents the idea of angels and their wings, which transform into fluid and organic shapes that blend into the surreal landscape. This image suggests a sense of freedom and transcendence, as well as a feeling of disorientation and uncertainty.

The fourth stanza introduces the idea of fear and unknown energy, which creates a sense of tension and unease. The fifth stanza presents a somber figure standing beneath a canopy of blue sky, surrounded by curtains that transform into arches and hills that meld into the abstract landscape. This image suggests a sense of isolation and introspection, as well as a feeling of wonder and beauty.

The sixth stanza presents the idea of a golden current flowing with dark, tired arms that move with cool and calm rhythms, while colors of surroundings blend into a vibrant green. This image suggests a sense of renewal and growth, as well as a feeling of harmony and balance.

The seventh stanza introduces the idea of fate and its mysterious workings, which creates a sense of uncertainty and awe. The final stanza presents the image of a marsh marigold, which symbolizes married faith and suggests a sense of hope and commitment.

Overall, “Marsh Marigold” is a powerful and thought-provoking poem that uses rich and evocative language to explore a range of complex themes and emotions.