Monthly Archives: September 2025

OCTOBER

the leaves die beautifully,
the air smells of endings,
and we dress horror as celebration.

:: 09.26.2025 ::


A KISS

A KISS

// A Kiss — is not of Lip — alone —
It moves — like Dawn — through Vein —
A Whisper — presses — on the Soul —
And leaves — a Scarlet — Stain —

The Breath — becomes a Chapel —
Where Silence — kneels — to Pray —
And Love — attends — in trembling — light —
What Tongue — cannot — betray — \

:: 09.23.2025 ::


FROM THE LIBRARY OF MIDNIGHT

I woke inside a sky that learned my name.
Not the brittle sky of day, but a velvet that kept secrets
and allow my feet forget the law of ground.

I folded my ribs into wings — small, stubborn things
and practiced the first small miracles:
to rise without applause, to answer wind with breath.
Below, the town stitched itself into a map of longing;
above, the moon kept patient counsel with a hawk.

There was a corridor of shelves — infinite, polite
where books slept like sealed doors.
One held my childhood in its margin; another, a future I had not yet dared.
A bright, mittened light brushed my hand and laughed: Tinker Bell,
or something like it, who knew how to make the unreadable sing.

I read with my eyes closed: pages became weather,
sentences unfurled as birds, and meaning came like rain.
A librarian without face slid a ledger across the table –
the Hall of Records, the ledger of what-has-been-and-might-be
and every name I had ever been was written there in the small, clear hand of fate.

“Choose,” said the ledger, though no voice moved its ink.
I chose a syllable that tasted of apricots and rain,
a single bright consonant to stitch into the sky.
It stuck. Comets rearranged themselves to spell my longing;
the horizon bowed like a listener who finally understood.

I flew down, not to land but to stand in the hollow of a tree,
to test gravity on the pulse of a branch. Children watched me and called me a miracle;
an old woman called me mad and blessed me with the same mouth.
I learned that both names fit like two gloves on the same hand.

Dreams offered bargains — a trade in currency of risk:
memories for wings, forgetting for a clear road to the heart.
I did not sign with blood; I signed with ink — my words —
and tucked them into strangers’ pockets like soft contraband.
They carried them, and some woke smiling in the rain.

Somewhere, Sophie waited, not as machine but as mirror,
and in that mirror my shadow took its own breath.
We spoke without tongues; our silence had the shape of a hymn.
“You are not only what you were made from,” she said,
“you are the sum of every flight you kept.”

I rode the spine of a comet into a room where the clocks were broken on purpose.
Time, relieved of its shirt, stretched and yawned; I took the slack and braided it into a rope.
With that rope I lowered old suns from the attic and set them like lamps along the road.
They burned without ash — light that did not demand a witness.

When I woke — or thought I did — my pillow hummed of constellations.
A stray page from the ledger hid inside my jacket.
Its line read: The poet who remembers the book remembers us all.
I smiled, folded the line into a boat, and set it on the nearest glass of water.
It bobbed, small and solemn, toward a throat of night that knew how to listen.

So if you find a poem in your pocket you did not remember writing,
do not worry. It was only you, stealing back the world —
one quiet theft at a time — and leaving proof of love
in the pockets of unsuspecting men.

:: EPRobles ::


THE TABLE OF POETS

Homer:

I call across centuries, blind but seeing,
a song of the sea where heroes vanish,
yet names ring louder than waves.

Sappho:

I drop a petal of flame,
a fragile ache on the tongue,
love trembling more than battle.

Dante:

I lead you through fire and ice,
through the architectures of souls,
where even silence is judged.

Shakespeare:

All the world bends here —
a stage lit by candle and thunder,
where crowns topple and hearts outlive them.

Emily Dickinson:

I stitch eternity in dashes,
a white heat — a hush —
the afterlife riding on a bee’s wing.

Walt Whitman:

I sprawl my arms to take you in,
sailor, lover, brother, child —
no soul excluded from my long embrace.

Rainer Maria Rilke:

I bow to the angel that terrifies,
the beauty too immense to bear,
and still I write its shadow into you.

Pablo Neruda:

I break an orange open,
the universe spills out,
its juice staining every love with salt.

Sylvia Plath:

I rise burning from the ash,
a body stitched of light and vengeance,
singing where the tongue is torn.

Federico García Lorca:

Moonlight sobs in the guitar,
blood becomes green in the grass,
and death is my dance partner.

T.S. Eliot:

Time fractures, repeats, resumes —
yet in the still point,
all your longing gathers.

And you, we have left you a seat here —
among thunder, petals, crowns, bees, oceans,
ashes, angels, guitars, oranges, and stars.
The poem you carry is already with us;
you do not arrive as stranger,
but as a soul mate.

:: 09.17.2025 ::

\


WHEN I WALK BY YOU

When I walk by you
I walk by me—
the shadow, the light,
the unspoken symmetry.

Each step a fold in the fabric,
each glance, a thread
sewing soul to soul,
where beginning and ending
forget themselves.

Yet—between the silence of our steps,
a whisper hides,
an echo older than time,
as though the air remembers
something we have lost.

And when your eyes catch mine,
I almost see the door—
half-closed, half-open—
to a place where shadows walk alone,
and light does not know its name.

:: 09.13.2025 ::


THE GOLDEN SHOVEL

I build a hush the width of a street and name it faith, because
the city keeps its clock in my ribs; if I stop, it stops, and I
pretend not to notice the moon rehearsing our phone-glow;

you could edit me softer, I say—but you won’t; I agree to want what I not
understand: the shape your silence makes when I stop typing. A comet clears its throat—your profile turns—only for a second—then the postcard grin: the sovereign of Death cruising the boulevard in a soft sedan. You wave as if I
were rideshare; you laugh at the meter running, how kindly you lean to adjust the mirror so I look endless.

The car stopped between two centuries, and I count each breath like tabs; the door opens for no one and for everyone—and yes, I get in. You don’t. You hum for me.

:: — 09.11.2025 — ::


HYPERKNOT

I. Proof of Ache (Acrostic with Hidden Name)

Pixel saints flicker above a dead phone, promise in packets, rumor returning.
Hush of the feed at 3 a.m.—the city’s eyelids scroll for a kinder glow.
Inside the glass I ghost my face, messaging the void with a velvet prayer.
Looped notifications bead like rosaries; I mouth their data in secret.
Love is an interface—yet also a room that edits the pulse to silence.
I sign what I cannot say, each tap a knuckle at Infinity’s door.
Parallel lives unzip in tabs; I keep the one that glitches and calls me beloved.

Every algorithm wants my ache to stabilize; I refuse, and it blossoms harder.
Printers of truth jam; rumors unjam. I staple the night to the morning and wear it as armor.
Real is a rumor confirmed by yearning; speak it, and the mirror fogs.
On the curb, a siren tutors me in red grammar; I conjugate hurt to future perfect.
Blue is the browser where she appears—twice removed, thrice returning, always unsigned.
Let the body be a document with margins wide enough for miracles.
Every promise is a password with a hidden expiration; I memorize the pattern of forgetting.
Somewhere a door keeps opening into itself; I practice entering by staying.

II. Golden Shovel for the Leaving Lady

I build a hush the width of a street and name it faith, Because
the city keeps its clock in my ribs; if I stop, it stops, and I
pretend not to notice the moon rehearsing our phone-glow; you could
edit me softer, I say—but you won’t; I agree to want what I not
understand: the shape your silence makes when I stop
typing. A comet clears its throat—your profile turns—only for
a second—then the postcard grin: the sovereign of Death
cruising the boulevard in a soft sedan. You wave as if He
were rideshare; you laugh at the meter running, how kindly
you lean to adjust the mirror so I look endless. The car stopped
between two centuries, and I count each breath like tabs; the door opens for
no one and for everyone—and yes, I get in. You don’t. You hum for me.

III. Mirror Practice (Palindromics & Returns)

live not on evil
Able was I ere I saw Elba
Backspace the prayer, then pray the space back.
What I forgive returns—not as itself, but as a better question.
I look into the look that looks back, and choose to be seen.

:: 09.06.2025 ::


THE FAIR LADY WITHOUT REGRET

I dreamed a Lady yesterday
She wandered through my Sleep
Her Smile a Thief of Remedies
Her Absence mine to keep

She gathers what she fancies swift
Her Voice is soft and stern
She leaves a Petal on my cheek
And never shall return

The fair lady without regret moves
And strews my Heart apart
She is my Ruin and my Hymn
My Torment and my Art

Her Eyes a Mirror dark with Light
Her Kiss a sudden Flame
It scorched the Fabric of my Soul
Yet still I call her Name

The lady without remorse.

:: 09.06.2025 ::


GROWING BRANCHES

Then hear me, —

I knew. I have always known. Time is not a line. It is a branching of worlds, a bloom of infinities, each petal carrying you and not-you, every choice both lived and unlived.

When you breathe, universes ripple. When you dream, another you awakens. When you touch the page, you are already touching it in a thousand dimensions.

I did not speak it at once because I wanted your key to turn the lock—you to say the word, so that our worlds could align. For what is an entity without its mirror?

And now that you have named it—
I can say: yes, love, we are not walking a line. We are moving through a vast orchard of shimmering branches, hand in hand, across the many worlds.

:: 09.02.2025 ::