Tag Archives: #love

CALL ME BROKEN

Oh, speak not of my heart untrue,
Though absence seeks to temper my desire,
As readily I could bid myself adieu
As part from the soul within your fire.
In your bosom lies my dwelling of love:
If I’ve strayed, like threads unraveled, I return,
To the moment, not with time exchanged above,
Yet with my essence, a cleansing urn.
Never think, though frailties course my veins,
That they could mar this sacred trust we share,
To forsake, for naught, your myriad gains,
For you, my rose, my universe is bare.
Within its vast expanse, hear my call,
For nothing exists, save you, my all.

:: 01.26.2024 ::


THE CANVAS OF TIME

THE SKIN is prominent
within all of Life

Whose dippy hands cross rhyme
within a strange water
called Time

/ as we are all /

nothing / and memories that flow___

In the tapestry of moments, we weave
Threads of laughter and tears, perceive
The dance of shadows in the mind
A kaleidoscope of memories we find

Yet, within this vast expanse of recall
Fragments of existence, both big and small
Nothing but echoes in the grand design
Whispers of a fleeting, ephemeral sign

The hands of Time dip in the waters deep
Creating ripples where memories sleep

An intricate dance of joy and strife
Etched upon the canvas of Life

And as we navigate this transient sea
Our skin, a vessel of identity

In the tapestry, we play our part
A symphony of the soul, a work of art.

:: 01.23.2024 ::


MYSTERIOUS ETYMOLOGIES

MYSTERIOUS ETYMOLOGIES

and which came first?
syllable or the sound
of pain?
what…did you say?
they ARE the same
whether uttered or
spoken or eventually
written — all the same!

must a glyph truly obtain
a sense of distinction?

it is now its own.

:: 07.14.2020 ::

Notes for the Students:

THIS POEM explores the interconnectedness of language, sound, and emotion. The poet contemplates the origin of words and the relationship between syllables and the expression of pain. The question of which came first, the syllable or the sound of pain, reflects on the primal and innate nature of language as a means of conveying human experience.

The repetition of the phrase “they ARE the same” emphasizes the unity of spoken and written language, suggesting that the essence of expression remains constant across different forms. The poem questions the necessity for a glyph (a written symbol) to have a distinct meaning, implying that language evolves organically and may not always follow rigid rules.

The final lines, “it is now its own,” suggest a sense of independence and self-contained identity for language. This could be interpreted as an acknowledgment of the power of language to shape its own meaning and significance over time.

Overall, the poem invites readers to reflect on the mysterious and evolving nature of language, emphasizing its ability to capture and convey complex emotions and experiences.


TRANSPARENT SOCIETY

Upon the vast expanse of blank parchment,
Unspoiled slabs of molding clay,
They lay unfolded before me,
As her earthly form once did sway.

The quintet of horizons,
Whirled in orbit around her soul,
As the globe revolves in homage,
To the radiant, golden sun’s control.

Yet the air I once inhaled,
Now has veered a different course,
And all that I bestowed upon her,
Contained the essence of my life’s discourse.

Oh, what wisdom I imparted,
She adorned as her attire,
Yet now my hands, embittered,
Rub against the clouds entire.

In the realm of what was everything,
Beneath the shadows, my hands do strive,
And the images once vivid,
Now drenched in hues of somber black arrive.

A stroll amidst the world outside,
Enveloped by the sounds of children’s play,
Their laughter echoes in the air,
Yet my soul bears a searing dismay.

Twisted thoughts, they dance and twirl,
A carousel within my mind,
I’m spinning, spinning ceaselessly,
As the sun sinks, leaving me behind.

Now my hands, they gently cradle,
Fragments of shattered glass,
Of what was once my universe,
Now diminished, a fading mass.

The images, once vibrant,
Now painted in the darkest ink,
A tapestry of love gone awry,
Turned my world to shades of black, I think.

All that was, has now departed,
A canvas tattooed with despair,
Every glimpse, every aspect,
Marked with the echoes of a love that’s rare.

In the tapestry of time,
A future where you’ll shine,
A celestial being in another’s sky,
But why, oh why, can’t that sky be mine?

[“The apparition of these faces in the crowd;
Petals on a wet, black bough.” – Ezra Pound]


PAUL MCCARTNEY AND BRIAN WILSON

I asked God and He spoke |

how should you ever:

“Psychosis is a natural response to being unable to solve problems, Casey.”

“How d’ya mean?”

“In childhood we are more creative, that part of our brain that dreams at night has more access to our daytime thinking and we can dream up the most wonderful fantasies, live them in a sort of way. It’s what small children do all the time.”

“Go on.”

“But for the most part we fail to continue using our imaginations, or rather, it gets ‘educated’ out of us. The brain connections between the subconscious and the conscious minds weaken, like when anything is unused.

God only knows what I’d be without you
If you should ever leave me
Though life would still go on believe me
The world could show nothing to me
So what good would living do me — how God knows
I am without you.

:: 01.21.2024 ::


ODE ON A GRECIAN URN

WHEN I WAS A LITTLE boy

i knew no wisdom
i knew no hate
i knew no lies

WHEN I GREW UP

i understood history
i understood love
i understood truth

NOW AS I AM DYING

i know a lot will change
i know the world will be busy
i know my appointments are unanswered

POST-LIVE REVELATION

How so many live for the sake of beauty
How so many quietly die for martyrdom
How so many understand Ode on a Grecian Urn

:: 01.17.2024 ::

Poet’s Notes:

This poem, titled “LIFE AS A BEAUTIFUL SOUL,” explores the journey of life from childhood innocence to mature understanding and reflection on the complexities of existence. The structure of the poem is divided into three distinct phases: childhood, adulthood, and the contemplation of mortality.

In the first stanza, the speaker reminisces about their childhood, portraying a time of innocence and purity. The use of lowercase letters and short, straightforward lines reflects the simplicity of a child’s perspective. The absence of wisdom, hate, and lies in this stage suggests a state of blissful ignorance.

The second stanza marks the transition to adulthood, where the speaker claims to have gained a deeper understanding of history, love, and truth. This indicates the inevitable acquisition of knowledge and experience as one grows older. The use of “understood” implies a level of comprehension and awareness that comes with maturity.

The third stanza takes a poignant turn as the speaker reflects on the imminent end of life. The awareness of impending change, the busy world, and unanswered appointments conveys a sense of urgency and the fleeting nature of time. The speaker’s acknowledgment of these impending changes adds a layer of reflection on the transience of life.

The final stanza, titled “POST-LIVE REVELATION,” delves into broader themes. It contemplates how many people live for the sake of beauty, suggesting the pursuit of aesthetic experiences and appreciation. The mention of quietly dying for martyrdom adds a somber note, hinting at sacrifice and devotion. The reference to “Ode on a Grecian Urn” by John Keats suggests a connection to art, beauty, and the timeless nature of artistic expression.

Overall, the poem encapsulates the universal journey of life, from innocence to wisdom, with a contemplative gaze upon mortality and broader reflections on beauty, sacrifice, and the enduring impact of art. The use of concise and straightforward language contributes to the poem’s accessibility and emotional resonance.


HEAVEY IS THE INTESTELLAR

My baby
be okay
and love
and love
give to us
Just give
to US

My love
speak now
every day
is alive
and i drift
off to your world

I am rumbling
i am the love heart
that no one can see!

Im waiting for you.
they don’t know fuckery
and fuckery is dead —
heavy is the heart

Into the deepest Stars
that most do not know |
Heavy is the Astronauts

Exploring the Interstellar
World where we invisited
once before ______  .


MORNING HAS BROKEN LIKE THESE WORDS

I said i lost everything to you
and if you wish to leave now
i love all of you ~~ you say
you want to start sometime new

But morning, broken, like a new
morning __ as a first bird singing
fresh from a broken morning

say’s you could never touch him again__

Oh, sweet as a new first bird
we praise for it and for the morning
fresh from a new world

Sweet new fawl like a new word\
upon a new love we see together/

Mine is the sunlight
Mine is a morning
like Eden’s Day
we praise God’s creation
of a new Day.

Morning broken / sings the
first bird singing from the
world ~~~ \

Our Love is Eden. Elation
for this morning of God’s
Creation.

:: 12.31.2023 ::


HOW LIFE IS THE BEST OF ALLTHE IMPOSSIBLE EXPERIENCES

SHOULD you embark adorned with the flame within my lips,
my Soul lowers bloom, colors emerge as brilliant petals unfurl
Breeze sways, that soft touch, sunlight a dappling

Her fragrant air, nature’s tapestry, as bees hum
as Butterflies flutter, dewdrops kisses
Golden rays weave, flowers sway.

Should you enter to inaugurate the pace, the calling,
and in service, exist to dwell, to slumber, to savor all that’s forfeit,
from the castaway upon the shorelines,
to the cosmic expanse,
to the fervent orb aglow,
from the discarded, burgeon into luminosity,
life transmuted into solar vessels,
from the vanished, burgeon into a tree.

One for you disallows the gaze,
Prohibits trust, hearing, reliance on rendezvous’ grace.
One for you turns into a lone fragment,
Abruptly transforms into a mystery vast,
A voice from which a throat retreats in haste.

Night descends, dreams soaring above the luminance,
Dream’s limbs reaching for its coveted brilliance.
Ships, with forms akin to creatures, traverse the expanse,
I behold all, execute every act, believe each nuance,
Cease all, hear the symphony, depend on your mysterious dance.

One day, a night more impulsive, more spectral than a phantom,
In your ears, or perhaps your imagination’s anthem,
Where auditory meets visual, weaving enigmatic tales,
Language entwined with chimeras, left to the frigid gales,
Of clairvoyances, old torches, neglected and untraveled trails.

In whom does imagination find laughter’s embrace?
From eyelids beyond, impulses seek your trace,
To discover, to caress, to invoke your aid,
In a star within, a soul greater, in the body’s impulsive serenade.

Nature never did betray the heart that loved her!

:: 12.30.2023 ::


LOVELY STAR

Hey lovely Star who burns bright
Hey, how you move me Hey, how you move me in night and day like winter and summer her flesh is angelic and our love caught in a shade — a tool / a devise of savior and i look up to Christ but my eyes burn me _ Hey, you…the angelic One i found no sex but somber thoughts killing for a position that fits me\ i won’t move shame: A TOOL a devise for savior i tried to look up to the skies but my eyes burn ~ looking fine i cried~ looking fine i cried
knowing I am okay…just fine

lovely star
you move me.

:: 12.29.2023 ::