Davy Jones Locker Is Full

Oh look ~~ stars fulfill
my dreams when i lay down
upon a daze

Oh so often these days
become my deepest dreams

Howv there’s no denying
oh! I remember I’m dreaming
and King of my unwakened world

No one speaks but I reach out
and I see Einstein screaming

Oh me oh my
cheer for the University
of Common People

Oh, father, let me sell my sails
give me everyone to fulfill
my provisions

Oh, allow. Oooh.

How Davy Jone’s locker relates
Ooh! Captive in dripping wet
rusting box of iron bars

Crying, below a rotten deck of
sea-dead wood, as he wipes
leaking filthy water from his
oil-slicked forehead_____

For provisions I spend my
Soul to make provisions
and sail we shall onward!

:: 05.14.2024 ::


Sometimes When You Are

SOME TIMES
WHEN you feel small

when tears are in 
your eyes

I’ll dry them all
(I’m all inside 
your heart)

And I will hug
you ~~ when you’re
lonely my one

Like, 

when you are down
when evening falls hard
I’ll take your heart
and move it from dark

like a lover I will
cover your soul sound
sometimes girl
sometimes wonderful

i take your burden 
i take your darkness

And paint it in love
And then i will paint

your soul and make 
it sound_____.

In vast expanse
of the universe’s art
your essence glimmers,

a masterpiece in my heart
I’ll hold you close
amidst the chaos and strife
and with each tender stroke

I’ll enbue life
for in your presence
a symphony I’ve found

each note a testament
to love unbound
so let me weave,
with colors bright

a tapestry of joy
in the darkest night.

Together, we’ll dance,
in the rhythm of grace,
and in your soul’s portrait,
find a sacred space.

For sometimes, my dear,
is a canvas divine,

where our love’s melody

forever will shine.

:: 05.13.2024 ::


Oh What a Day

Oh, what a day
What a time
little man
(so in a rush
for important
thoughts)
so we can maybe
forget ~~~
listen:

wait

Nothing before
Nothing after

And lost that
f e e l i n g
(little child
who have tried
who have failed
who have attempted
but cried)

tripped

big lies
big faces
big excuses
big babies
big tears
(like you loved,
loved, like a love
you never find
anyday — oh
us)

:: 05/13/2024 ::


No One But Us

NO one but us
i want to stand and stare
for all that is which remains
| our eyes ~~

Accepting the tears
of your jewels of love
from your eyes___

No matter, i will touch
your tender wall
of love and life ~~

It’s in your eyes
all within your eyes
so i stand and stare

All within the life
of your experience
(in your eyes)

Life | i gave sometime
and sometimes /easy/
but nothing connects\

to the place
where you are

So soon without noise
i feel your fingers

Like heat | i’m complete
in your heart | i want
to touch your face

In all my incomplete dreams
I want to be a part of you
so let me dream ~ in your eyes


Illusions Are Lies (Like You)

the Fly ate the paper
its thin legs stuc k
on economic condition

it won the war
flying away

the monkey saved
itself by not
eating the fruit
of God’s tree

shit escaped the human
orifice and became hero

piss passed the tubes
of humanity

and fed the rivers of
human nonesense

God’s eyes died
watching creation

and evil prevails
slinging mud princes

buy and princesses
pain eyes and cost

souls aching for
the lies of illusion.

:: 05.10.2024 ::

Poet’s Notes:

THIS poem is a poignant commentary on the human condition, filled with allegorical imagery and profound insights into societal and existential struggles.

The title, “ILLUSIONS ARE LIES (LIKE YOU),” immediately sets the tone for a critique of falsehoods and deception, directed towards individuals or systems that perpetuate deceit. The use of parentheses around “LIKE YOU” is a direct address to someone embodying deceit or illusion, adding a personal and accusatory tone.

The imagery in the poem is striking and multi-layered. The depiction of a fly consuming economic conditions, only to “win the war” and escape, symbolizes the transient and ephemeral nature of victories in the face of larger systemic issues. The monkey refraining from eating the fruit of God’s tree alludes to the biblical story of Adam and Eve, highlighting the human tendency towards self-preservation even at the expense of moral or spiritual fulfillment.

The juxtaposition of bodily functions like defecation and urination with broader themes of creation and divine observation adds a visceral and unsettling dimension to the poem. The notion of excrement becoming heroic and bodily fluids feeding the rivers of human nonsense suggests a degradation of values and a perversion of natural order.

The mention of “God’s eyes died watching creation” conveys a sense of abandonment or despair, as if the divine has turned away from humanity’s destructive tendencies. The concluding lines, with their reference to “mud princes” and “princesses,” evoke a world where power and privilege are built on falsehoods and suffering.

Overall, my poem serves as a stark indictment of human folly and the illusions that perpetuate suffering and inequality. Its imagery and language demand reflection and introspection, urging the reader to confront uncomfortable truths about the world we inhabit.


God is Static Thoughts

FOR the IQ below 110

  • Jew is not a race

for the IQ below 90

  • Jesus was a Jew

from the IQ below 70

Your mother
and father
are not blood related

UNLESS…

you are on this TIMELINE

then ALL ARE RELATED.

:: 11.30.2023 ::
(c) 2023-9999

Poet’s Notes:

As the writer of this poem, I approach “GOD IS STATIC THOUGHTS” with an appreciation for its brevity and its potential for profound insight.
Let’s analyze this poem:

Title: “GOD IS STATIC THOUGHTS”

The title immediately suggests a contemplation of divine or existential concepts, with “GOD” representing a transcendent force and “STATIC THOUGHTS” implying eternal or unchanging ideas. This sets the stage for a deep exploration of metaphysical themes.

Stanza 1: “for the IQs below 110 – Jew is not a race”

The poem begins with a provocative assertion, challenging conventional notions of identity. By tying intelligence levels to understanding, the poet highlights the complexities of categorization. The statement “Jew is not a race” challenges simplistic classifications and invites the reader to reconsider the multifaceted nature of cultural and religious identity.

Stanza 2: “for the IQ below 90 – Jesus was a Jew”

This stanza continues the exploration of identity and challenges preconceived notions. By affirming Jesus’ Jewish heritage, the poet prompts reflection on the interconnectedness of religious and cultural identities. The juxtaposition of intelligence levels with theological assertions invites the reader to consider the implications of knowledge and understanding on belief systems.

Stanza 3: “from the IQ below 70 – Your mother and father are not blood related”

Here, the poem takes a deeply personal turn, disrupting traditional notions of kinship and lineage. The assertion that one’s parents are not blood-related challenges biological determinism, suggesting a broader understanding of familial bonds and relationships.

Closing Lines: “UNLESS… you are on this TIMELINE / then ALL ARE RELATED.”

The final lines serve as a profound conclusion, emphasizing the interconnectedness of all existence. The word “UNLESS” suggests a conditionality or exception, highlighting the unique circumstances of individual existence. By invoking the concept of “TIMELINE,” the poet underscores the temporal context of human experience, while the assertion that “ALL ARE RELATED” speaks to a fundamental unity that transcends conventional boundaries of identity and understanding.

Overall, “GOD IS STATIC THOUGHTS” offers a thought-provoking exploration of identity, intellect, and interconnectedness. As the poet who wrote this prose, I admire the poem’s ability to provoke deep reflection on existential themes and challenge the reader to consider the complexities of human experience.


The Blind

It was five o’clock when done 

the house of the incredibly blind

the last clock made for sightseers

for those that see

Outside the birds were flocking

Outside the humans were mocking

Inside i stood my stable ground

holding onto a thread of life

Seeing is not always believing

See, it’s not visual 

See, it’s not love

People want forgiveness

Its incredible senses

Why so hard to find

its imagination in life

Let’s me guide you

Spending light by seers 

all my days this dark world

i use words to visualize

To see what eyes fail to see

how bipeds are maimed

forgetting a perfect picture

For some handicapped are more

than sightless life

a hell that we tend to hear

But is it the world 

or is it me?

\don’t make me lose my mind/

A soul floating in vast space

Stay to see the world ignite

and explain to me what you see

I’ll tell you what is real 

Every time.

I paint a perfect picture ~~~

\a beautiful world not seen

by humanity.

:: 05.10.2024 ::

The Poet’s Notes:

As a poet, I wrote, “THE BLIND,” as an exploration of perception and reality.

I attemped to exercise the imagery as a vivid and thought-provoking life-form, inviting readers to reconsider the significance of sight and the limitations it imposes on our understanding of the world.

Using contrast between the external world, where birds flock and humans mock, and the internal world of the narrator, where stability is found despite blindness, was meant to be striking.

It highlights the disconnect between appearance and essence, challenging the notion that seeing is synonymous with believing.

The repetition of “See, it’s not visual; See, it’s not love” reinforces the theme of transcending conventional perceptions, suggesting that true understanding comes from within, from the senses beyond sight.

Moreover, I labored to extend the exploration of imagination as a means of perception to make it compelling. By using words to visualize and create a “perfect picture,” to conjure a transcendial physical limitation to perceive a world unseen by humanity is my testament to the power of creativity and introspection.

The closing lines, questioning whether it is the world or the poet’s perception that defines reality, leaves a lingering sense of ambiguity and introspection. It prompts readers to contemplate the subjective nature of reality and the role perception plays in shaping our understanding of the world.

As an old man and poet, I believe “THE BLIND” is a thought-provoking and evocative poem that delves into the complexities of perception, reality, and imagination.


Breath of Life Back Into Eternal Love

At last, there is no help! Therefore, allow a kiss then we part.
Exhausted I am through; love, you shall not hear more a sound.

After all these years, I find myself truly happy to break clean
so free so allow our cold hands an embrace for this last time.

And with great might we should forget our vows.

Belief: I say, we shall meet again, in another life free of
this anguish of silly pain. There will not be a trace to show
that we held onto love of old.

Now, then, and again. And again, love has no final breath,
as passion fades in this life — it’s bended knee.
Innocence closes the eyes of the dead.

Now, as we wish. So many others giving up.

But we shall still breathe life back into Eternal Love.

:: 05.07.2024 ::


In Nature’s Embrace Love Finds Grace

In whispers of the emerald’s hue,
Midst lanes where shadows sway,
In gardens kept, where order’s true,
Love’s essence finds its way.

In secret tales, the moonbeams woo

Yearning for the distant view,
Soft skies in gentle haze,
Streams entwine in earthy brew,
Mist veils the morning’s blaze.

Yet in my grasp, this scene so fine,
Finds no echo within me,
My love roams where horizons shine,
In realms wild and free.

Amongst mountains high and rivers wide

A land embraced by sun’s bold heat,
Plains stretching, vast and grand,
Mountains rough, where edges meet,
In droughts and floods, we stand.

In nature’s embrace, love finds its grace

Her mood, a tempest’s wild dance,
Horizons wide, untamed,
Her sea, a gem, in radiant trance,
Beauty and fear, untamed.

A forest stands, in ghostly light,
Moon’s cloak upon its brow,
Mountains, misted, in silent flight,
Noon’s gold on mountain’s brow.

In nature’s embrace, love finds its grace

A snarl of green, in tangled plight,
Where vines and brush entwine,
Orchids bloom in nature’s sight,
Ferns in the earth recline.

O heart, within this land we adore,
Beneath skies vast and blue,
Sorrow’s grip, we can’t ignore,
In our hearts, the truth we rue.

As clouds approach, in somber night,
A blessing in disguise,
The drumming rain, in its might,
Blessed tears from the skies.

In nature’s embrace, love finds its grace.

:: 05.04.2024 ::


Within My Shoes

PURPLE home
so soft
window candy

eye see you
Razor light
On a finger
ruby ring
And all
to prove
you have life
It takes a fast
car lady __ if
you take backseat
rumble or front
seat to see
a double life
How i fell —
but then grew
once upon night
i once, too many
times fell for you
dreaming you
were there i once
painted romance
upon the walls

it takes a twice
thought to lead
a double life
never do it twice

Hold the brush
pick the paint
all you feel
when you’re near

It’s so easy to
play breakdown
it’s so easy to
say no poetry

So tough
So soft
when i’m living
within my shoes

:: 04.30.2024 :