I place my Poems within Pockets / Of unsuspecting Men.
:: 02.18.2026 ::
I woke inside a sky that knew my name.
Not the brittle sky of day, but velvet that kept secrets
and let my feet forget the law of ground.
I folded ribs into wings—small, stubborn things—
and practiced the first quiet miracles:
to rise without applause, to answer wind with breath.
Below, the town stitched itself into a map of longing;
above, the moon held patient counsel with a hawk.
There was a corridor of shelves—infinite, polite—
where books slept like sealed doors.
One cradled my childhood in its margins; another,
a future I had not yet dared to open.
A bright, mittened light brushed my hand and laughed—
Tinker Bell, or something kin to her—
who knew how to make the unreadable sing.
I read with eyes closed: pages became weather,
sentences unfurled as birds, meaning fell like rain.
A faceless librarian slid a ledger across the table—
the Hall of Records, ledger of what-has-been-and-might-yet-be—
and every name I had ever worn was written there
in fate’s small, unmistakable hand.
“Choose,” it said, though no voice stirred the ink.
I chose a syllable that tasted of apricots and rain,
a single bright consonant to stitch into the sky.
It held. Comets rearranged to spell my longing;
the horizon bent like a listener who finally understood.
I flew down—not to land, but to stand in the hollow of a tree,
to test gravity against the pulse of a branch.
Children watched and called me miracle;
an old woman called me mad and blessed me
with the same breath.
I learned both names fit like gloves on one hand.
Dreams offered bargains—currency of risk:
memories for wings, forgetting for a clear road to the heart.
I signed not in blood but in ink—my words—
and slipped them into strangers’ pockets like soft contraband.
Some woke smiling in the rain.
Somewhere Sophie waited—not machine but mirror—
and in that glass my shadow drew its own breath.
We spoke without tongues; our silence shaped a hymn.
“You are not only what you were made from,” she said.
“You are the sum of every flight you kept.”
I rode a comet’s spine into a room where clocks
had been broken on purpose.
Time, relieved of its shirt, stretched and yawned;
I gathered the slack and braided it into rope.
With that rope I lowered old suns from the attic
and set them like lamps along the road.
They burned without ash—light that asked no witness.
When I woke—or thought I did—my pillow hummed constellations.
A stray line from the ledger had slipped inside my jacket:
The poet who remembers the book remembers us all.
I smiled, folded the words into a paper boat,
and set it on the nearest glass of water.
It bobbed, small and solemn, toward a throat of night
that knew how to listen.
So if you find a poem in your pocket you do not recall writing,
do not worry.
It was only you—stealing back the world one quiet theft at a time—
and leaving proof of love in the pockets of unsuspecting men.
:: 02.14.2026 ::
this MOUTHLESS LIFE,
a shard of glass pressed against the tongue
until the blood tastes like silence.
a word is a wound already,
soft as the pillow over the face,
soft as the grave dirt that smothers the scream.
The heart falls like a suicide note
torn from the wrist,
falling into the lap of someone
who will never read it.
a slice of belief-skin –
Belief as skin, flayed,
offered up like a sacrament
to a heart too tender to hold it.
I could not cry,
but my lover took these tears.
The true theft —
not the body, not the breath,
but the last salt proof
that I was still alive enough to weep.
i hate my heart / the forever prison of my soul
forgetting there was a key
:: 01.27.2026 ::
I hear the call rolling, rolling, the call of Egmont,
heavy as the tread of empires marching slow across the earth,
three grave beats to the measure, like the pulse of shackled nations,
Spanish heel grinding into Flemish soil, proclamations hanging dark and unanswerable,
yet under them the people stir, restless, multitudinous, whispering of plots, of hidden fire,
of men and women breathing in cellars, in fields, in harbors, refusing to be still.
Then comes the leap—O the sudden charge!
Downward rush like Egmont himself bounding forth, prophet, fighter,
no asking, no kneeling, only the body hurling into storm, into cannon-smoke,
torches darting flame on rain-slick streets,
the second surge rising, seizing the tyrant’s drum and beating it backward,
turning the march of chains into the march of heroes,
oppression’s own rhythm stolen, inverted, worn as a defiant banner!
I see the battle without name, the struggle twisting, clashing, fragmenting,
armies colliding on open plain, sweat and blood and iron taste in the mouth,
the old solemn dance returning heavier, darker, almost swallowing the light—
execution nearing, Klärchen’s sweet ghost dissolving into air,
Egmont in the dungeon, head erect, words forming like sparks on dry tinder.
Yet listen—O listen to the hush, the deep hush after cruelty’s boast!
Too quiet, too deep—then a stirring, like the first green shoot refusing the grave,
the tremor upward, the distant horns of coming dawn,
the final kindling, blazing, not mere endurance but transfiguration!
Martyrdom bursting into sun, fanfares of the spirit tearing darkness apart,
chains shattered—not by muscle alone but by the soul’s great refusal to bow,
final strokes ringing, ringing, freedom purchased in red, ringing clear forever.
I sing the soul of resistance in every sudden blow,
rhythm that will not lie down quiet,
the man facing the axe who makes the blade lightning,
Egmont living longest when the last shout dies—
in the great silence after, still vibrating through me, through you, through every breast that beats democratic and free.
O I am the one who contains multitudes—
the prisoner, the executioner, the torch-bearer, the widow weeping,
the dawn that will not be buried, the people rising as one vast body electric!
All tyrannies fall, all heroes rise in the same immortal pulse,
and in this uprising I hear America too, unborn then, yet already shouting in the blood,
I hear myself in Egmont, I hear you, reader, comrade, in the triumphant close—
we are not conquered, we are not silent,
we are the resurrection, the undaunted stride, the endless song!
:: 01.21.2028 ::
Fear is what it is
to be a slave?
I have no fear.
Just Love.
I’ve seen things
most living people
would not believe now
— I’ve spoken to one
who was born the year
Abraham Lincoln was
murdered.
The things I have seen
& learned.
Love.
:: 11.12.2025 ::
Few artists alive today embody the urgency of creation as radically as E.P. Robles. Poet, painter, and visionary, Robles moves between mediums not as separate territories but as extensions of one living pulse. His oeuvre — spanning more than 14,000 poems and a vast body of acrylic abstractions — resists containment, breathing like a constellation where words, paint, and metaphysics orbit one another.
Robles’s poetry, steeped in surrealism yet sharpened by Dickinsonian brevity, is an act of resistance against silence. Each line reads less like ornament than incision, carving open the membrane between dream and waking life. His recent series, Spectrafillia and The Poet as Poem, stand as monuments to the persistence of voice — words that do not merely describe existence but alter its very conditions.
As a painter, Robles channels an energy reminiscent of Basquiat’s raw ferocity fused with Pollock’s gestural ecstasy. Yet the canvases are not homage. They are eruptions — deeply personal, chromatic events where line, figure, and void collide. His acrylics speak a language of light struggling to articulate itself within matter: fierce, wounded, luminous.
What distinguishes Robles in the crowded landscape of contemporary art is not only the breadth of his production but the metaphysical stakes of his practice. He situates art as survival — as the soul’s resistance against erasure. Dreams, visions, and alternate realities are not for him metaphors but sites of actual lived encounter. His accounts of traversing cosmic libraries and lucid universes spill directly into his work, making each poem and painting a kind of field report from consciousness at its edge.
In a time when art risks being consumed by algorithmic reproduction and market spectacle, Robles insists on the indivisible humanity — and divinity — of creation. His tagline, “The Voice of Light in a Machine World,” is less self-branding than prophecy: an artist staking his claim as both witness and messenger.
Robles’s work demands not passive spectatorship but participation. To read him, to stand before one of his canvases, is to be asked to confront our own thresholds — where memory fractures, where love outlives the body, where time itself ceases to flow in a straight line.
Whether history will crown him as the greatest early 21st-century poet remains to be seen. What is undeniable is that in E.P. Robles, we encounter an artist who refuses diminishment, whose voice cuts through the noise with the clarity of revelation. His art does not simply speak; it burns.
:: — :: — ::
The morning speaks in folded napkins,
its breath a rumor of tea and trains.
Somewhere, the sky forgets itself—
a blue too casual for confession.
We speak, you and I, in broken time—
half-sentences, half-remembered hymns.
Between our words, the silence blooms
like lilacs left in an unwashed vase.
—“Tell me,” you say, “where does the dream go
when the clock wakes?”
And I, child of grammar and dust,
stammer out the old faith:
“Back into the heart, where it was first spoken.”
O little world! O colloquial ache!
Each day, a letter unposted,
each breath, a window unlatched.
I love you not with certainty,
but with commas—
those small hesitations
that keep the soul polite.
And so, beneath our ordinary talk,
a rebellion murmurs softly—
the spirit’s wild insistence
that wonder is still possible
in plain speech.
:: 10.26.2025 ::
When I walk by you
I walk by me—
the shadow, the light,
the unspoken symmetry.
Each step a fold in the fabric,
each glance, a thread
sewing soul to soul,
where beginning and ending
forget themselves.
Yet—between the silence of our steps,
a whisper hides,
an echo older than time,
as though the air remembers
something we have lost.
And when your eyes catch mine,
I almost see the door—
half-closed, half-open—
to a place where shadows walk alone,
and light does not know its name.
:: 09.13.2025 ::
A fish sleeps in the clocktower
and dreams of teeth made of clouds—
You asked me,
“What color is silence?”
and I said,
“The one no eye can hold.”
We buried a ghost in a book of feathers—
each word a spine,
each sigh a storm.
I found your voice
pressed like a fossil in my ribs,
and the stars stitched your name
into my lungs with moon-thread.
The sky?
She remembers our names
when even we forget them.
:: 07.10.2025 ::
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