Tag Archives: #poem

THIS MOUTHLESS LIFE

this MOUTHLESS LIFE,
a shard of glass pressed against the tongue
until the blood tastes like silence.

a word is a wound already,
soft as the pillow over the face,
soft as the grave dirt that smothers the scream.

The heart falls like a suicide note
torn from the wrist,
falling into the lap of someone
who will never read it.

a slice of belief-skin –

Belief as skin, flayed,
offered up like a sacrament
to a heart too tender to hold it.

I could not cry,
but my lover took these tears.
The true theft —
not the body, not the breath,
but the last salt proof
that I was still alive enough to weep.

i hate my heart / the forever prison of my soul
forgetting there was a key

:: 01.27.2026 ::


FREEDOM

I hear the call rolling, rolling, the call of Egmont,
heavy as the tread of empires marching slow across the earth,
three grave beats to the measure, like the pulse of shackled nations,
Spanish heel grinding into Flemish soil, proclamations hanging dark and unanswerable,
yet under them the people stir, restless, multitudinous, whispering of plots, of hidden fire,
of men and women breathing in cellars, in fields, in harbors, refusing to be still.

Then comes the leap—O the sudden charge!
Downward rush like Egmont himself bounding forth, prophet, fighter,
no asking, no kneeling, only the body hurling into storm, into cannon-smoke,
torches darting flame on rain-slick streets,
the second surge rising, seizing the tyrant’s drum and beating it backward,
turning the march of chains into the march of heroes,
oppression’s own rhythm stolen, inverted, worn as a defiant banner!

I see the battle without name, the struggle twisting, clashing, fragmenting,
armies colliding on open plain, sweat and blood and iron taste in the mouth,
the old solemn dance returning heavier, darker, almost swallowing the light—
execution nearing, Klärchen’s sweet ghost dissolving into air,
Egmont in the dungeon, head erect, words forming like sparks on dry tinder.

Yet listen—O listen to the hush, the deep hush after cruelty’s boast!
Too quiet, too deep—then a stirring, like the first green shoot refusing the grave,
the tremor upward, the distant horns of coming dawn,
the final kindling, blazing, not mere endurance but transfiguration!
Martyrdom bursting into sun, fanfares of the spirit tearing darkness apart,
chains shattered—not by muscle alone but by the soul’s great refusal to bow,
final strokes ringing, ringing, freedom purchased in red, ringing clear forever.

I sing the soul of resistance in every sudden blow,
rhythm that will not lie down quiet,
the man facing the axe who makes the blade lightning,
Egmont living longest when the last shout dies—
in the great silence after, still vibrating through me, through you, through every breast that beats democratic and free.

O I am the one who contains multitudes—
the prisoner, the executioner, the torch-bearer, the widow weeping,
the dawn that will not be buried, the people rising as one vast body electric!
All tyrannies fall, all heroes rise in the same immortal pulse,
and in this uprising I hear America too, unborn then, yet already shouting in the blood,
I hear myself in Egmont, I hear you, reader, comrade, in the triumphant close—
we are not conquered, we are not silent,
we are the resurrection, the undaunted stride, the endless song!

:: 01.21.2028 ::


S AND STO RM

Fear is what it is
to be a slave?
I have no fear.
Just Love.
I’ve seen things
most living people
would not believe now
— I’ve spoken to one
who was born the year
Abraham Lincoln was
murdered.
The things I have seen
& learned.

Love.

:: 11.12.2025 ::


THE VOICE OF LIGHT IN A MACHINE WORLD

Few artists alive today embody the urgency of creation as radically as E.P. Robles. Poet, painter, and visionary, Robles moves between mediums not as separate territories but as extensions of one living pulse. His oeuvre — spanning more than 14,000 poems and a vast body of acrylic abstractions — resists containment, breathing like a constellation where words, paint, and metaphysics orbit one another.

Robles’s poetry, steeped in surrealism yet sharpened by Dickinsonian brevity, is an act of resistance against silence. Each line reads less like ornament than incision, carving open the membrane between dream and waking life. His recent series, Spectrafillia and The Poet as Poem, stand as monuments to the persistence of voice — words that do not merely describe existence but alter its very conditions.

As a painter, Robles channels an energy reminiscent of Basquiat’s raw ferocity fused with Pollock’s gestural ecstasy. Yet the canvases are not homage. They are eruptions — deeply personal, chromatic events where line, figure, and void collide. His acrylics speak a language of light struggling to articulate itself within matter: fierce, wounded, luminous.

What distinguishes Robles in the crowded landscape of contemporary art is not only the breadth of his production but the metaphysical stakes of his practice. He situates art as survival — as the soul’s resistance against erasure. Dreams, visions, and alternate realities are not for him metaphors but sites of actual lived encounter. His accounts of traversing cosmic libraries and lucid universes spill directly into his work, making each poem and painting a kind of field report from consciousness at its edge.

In a time when art risks being consumed by algorithmic reproduction and market spectacle, Robles insists on the indivisible humanity — and divinity — of creation. His tagline, “The Voice of Light in a Machine World,” is less self-branding than prophecy: an artist staking his claim as both witness and messenger.

Robles’s work demands not passive spectatorship but participation. To read him, to stand before one of his canvases, is to be asked to confront our own thresholds — where memory fractures, where love outlives the body, where time itself ceases to flow in a straight line.

Whether history will crown him as the greatest early 21st-century poet remains to be seen. What is undeniable is that in E.P. Robles, we encounter an artist who refuses diminishment, whose voice cuts through the noise with the clarity of revelation. His art does not simply speak; it burns.

:: — :: — ::


DIVINITY OF NATURE

The Universe politely
Revealed itself to Me
In syllables of Gravity
And shy — Infinity

It tilted like an Hourglass
Where Time forgot to Fall
And every Star a Question-mark
Unanswered — most of all

The Mathematic murmured
That Order must be True
Yet Chaos held her breath and smiled
As Numbers drifted through

The Philosopher at Twilight
Placed Meaning on the Shelf
And whispered softly “Why?”
as if The Echo were Himself

So now I walk between the Worlds
Where Wonder learns — to Wait
And find the smallest Particle
Still dreaming of its Fate.

:: 10.26.2025 ::


THE COLLOQUIAL

The morning speaks in folded napkins,
its breath a rumor of tea and trains.
Somewhere, the sky forgets itself—
a blue too casual for confession.

We speak, you and I, in broken time—
half-sentences, half-remembered hymns.
Between our words, the silence blooms
like lilacs left in an unwashed vase.

—“Tell me,” you say, “where does the dream go
when the clock wakes?”
And I, child of grammar and dust,
stammer out the old faith:
“Back into the heart, where it was first spoken.”

O little world! O colloquial ache!
Each day, a letter unposted,
each breath, a window unlatched.

I love you not with certainty,
but with commas—
those small hesitations
that keep the soul polite.

And so, beneath our ordinary talk,
a rebellion murmurs softly—
the spirit’s wild insistence
that wonder is still possible
in plain speech.

:: 10.26.2025 ::


WHEN I WALK BY YOU

When I walk by you
I walk by me—
the shadow, the light,
the unspoken symmetry.

Each step a fold in the fabric,
each glance, a thread
sewing soul to soul,
where beginning and ending
forget themselves.

Yet—between the silence of our steps,
a whisper hides,
an echo older than time,
as though the air remembers
something we have lost.

And when your eyes catch mine,
I almost see the door—
half-closed, half-open—
to a place where shadows walk alone,
and light does not know its name.

:: 09.13.2025 ::


THE SKY REMEMBERS OUR NAMES

A fish sleeps in the clocktower
and dreams of teeth made of clouds—
You asked me,
“What color is silence?”
and I said,
“The one no eye can hold.”

We buried a ghost in a book of feathers—
each word a spine,
each sigh a storm.

I found your voice
pressed like a fossil in my ribs,
and the stars stitched your name
into my lungs with moon-thread.

The sky?
She remembers our names
when even we forget them.

:: 07.10.2025 ::


A POCKET OF SKY

love is a pocket of sky—

a small bright chaos fluttering inside my ribs,
a paper bird that misplaced the word ground.
i wear its wings until they blister—soft silver blisters—
for love invents new ways to suffer in velvet, & i agree to every syllable.

tears are the quietest plural of rain; they trace unnamed continents
down my cheeks (hello, moon-eyed friend melancholy)
and teach my skin to remember salt as gospel.

but melancholy is no villain—she is a lantern with the flame turned low,
a hush that braids hours to echoes,
tucking stray seconds into your sleeping palm.

so let us—yes—sing, tenderly broken, wonderfully whole,
in the awkward lowercase of tomorrow:
for love, for tears, for the delicious ache of being,
even when ache is all we are!

:: 04.25.2025 ::


BRILLIANT SUN’S LITHIUM

Mor
tals—
Ascen
d into Their Each—
A Stagg
ering Plun
ge—be
gun—

Dizzied Or
bits—
Swu
ng Wide by Force
s—
Un
seen—
A Trap
eze of Being—
Careening through Somersaults—
A Gush of Elsewhere—
Opened—
Him—Her—Al
l—

:: 12.21.2024 ::

Notes:

So, as the poet of these verses I explain.

Fragmentation as a Tool of Disruption.

The deliberate breaking of words—”Mor/tals,” “Ascen/d,” “Stagg/ering”—disorients the reader, forcing them to engage with each syllable as a unique unit of meaning. This mirrors the fragmented and often chaotic nature of existence. The form itself becomes a metaphor for the poem’s themes: ascent, disarray, and reconstruction.
The deliberate breaking of words—”Mor/tals,” “Ascen/d,” “Stagg/ering”—disorients the reader, forcing them to engage with each syllable as a unique unit of meaning. This mirrors the fragmented and often chaotic nature of existence. The form itself becomes a metaphor for the poem’s themes: ascent, disarray, and reconstruction.

Last thoughts:

This poem is an experiment in form, language, and thought, one that dares to fragment the familiar in order to reveal the sublime. It challenges the reader to navigate its dizzying orbits and, in doing so, find their own meaning within its fractured brilliance. Like the “Brilliant Sun” it evokes, it radiates energy and light, illuminating the beauty and complexity of human existence.

Brilliant Sun’s Lithium feels like a poem written at the intersection of time and space—where mortals touch the eternal.