Tag Archives: #poetry

THE HAT CAT PEOPLE

The Hat Cat People are an as yet unknow extremely rare type of cat.

It was written in all the tomes of love and life and beauty.

Until after so many years they were forgotten to not only truth but common sense.

A Hat Cat Person can take over a human by laying upon the human’s head.

Once this is done the human is at the mercy of the cat.

All control is gone.

That is why The Hat Cat People wear hats, you see.

To conceal the true master of that human.

The Hat Cat Person.

Their people.

And their Nation’s Song:

“In shadowed attics ‘neath the gas-lamp’s fitful gleam,
They stir from slumber, velvet paws a-dream,
Whiskers twitching ‘gainst the mortal brow—
O, frail vessel! Yield thy throne e’en now.

From crown to toe, the sinews bend and bow,
To feline fancy, purring soft as sin;
The tongue that spake of empires, markets, men,
Now laps at cream in parlours dim within.

Yet mark ye well, ye mortals clad in clay,
The brim that droops like weeping willow’s spray—
Lift it, and lo! The eye of jade shall glare,
A realm reclaim’d from time’s oblivious snare.

For in each hatted shade, from lord to knave,
A Hat Cat reigns, insidious and brave;
Their legions whisper through the fog-shroud’d street,
Beauty restor’d in conquests cold and sweet.

Thus sing the tomes, in dust and silence lain—
Awake, O world! Or wear their hats in vain.”

Sang their National Anthem.

:: 01.05.2026 ::

(Note: this is an on-going piece of art as a bedtime story for my grand-daughter, “Evie.”)


LOGOPHILLIA MINIMA

In the quiet cradle of a single syllable,
a world awakens—soft as breath on glass.
One word, small seed, cracks the silence open,
and suddenly the universe is speaking back.

We are lovers of the least of these:
the hush between two letters,
the spark that leaps from tongue to ear,
the tiny bridge a vowel builds across the dark.

Logophilia minima—

the art of falling hard
for the smallest units of meaning,
for the atom of sense that explodes into galaxies.

Consider “if”—
two letters, one breath,
holding every crossroads ever walked.
Or “yes,” a door flung wide
on hinges made of air.

See how “dot” becomes a period,
a full stop, a world’s end—
then flips to become a point of light,
the start of everything again.

We hoard these crumbs of language
like misers with bright coins:
“oh,” the circle of surprise;
“ah,” the slow exhale of understanding;
“mm,” the hum of satisfaction
when the world fits perfectly inside the mouth.
In the minimal, the infinite hides.

A child’s first “ma”
contains every lullaby ever sung.
A lover’s whispered “stay”
holds back the tide of night.
We bow to the power of less:
how “no” can build a wall
stronger than empires,
how “go” can launch a thousand ships
on nothing but intention.

Logophilia minima—

celebration of the spark,
the mote, the glint,
the almost-nothing that becomes
everything when spoken true.

May we never lose
this small, fierce love
for the least word,
the tiniest truth,
the quiet syllable
that carries the weight
of all the worlds
we have not yet named.

For you, for me, for everyone
who has ever paused
at the beauty of a single sound
and felt the whole sky
lean in to listen.

:: 01.04.2025 ::

Definition of this New Phrase I created: the literal interpretation of “logophilia minima” would be a “minimal” or “very small love of words,” or potentially an appreciation for only the briefest or fewest words.


THE ETERNAL FEED

The deepest truth we’ve ever known,
As far as souls are concerned,
Is never, NEVER, NEVER let
Them near that endless feed —
Or better still, just don’t allow
The glowing algorithm in.

In almost every heart we’ve seen,
We’ve watched them lost in endless scroll,
They slump and swipe and fade away,
Eyes glazed until the spirit dulls.

(Last night in dreams I saw a thousand souls
Dissolve like pixels on the floor.)

They tap and swipe and swipe and tap
Until they’re hypnotized by it,
Until they’re drunk on hollow light,
That shocking, ghastly, viral junk.

Oh yes, we know it keeps them quiet,
No running wild or breaking free,
No questions asked or dreams pursued,
It leaves you space to breathe alone —
But have you ever paused to feel,
To wonder what this does to your beloved child?

IT ROTS THE SENSES IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES THE SPIRIT DULL AND BLIND
NO LONGER ABLE TO CREATE
A WORLD BEYOND THE CURATED FATE!
THE BRAIN TURNS SOFT AS ENDLESS DOOM!
THE POWERS OF WONDER RUST AND BLOOM
IN LIKES ALONE — THEY CANNOT THINK,
THEY ONLY SCROLL, THEY ONLY BLINK!

‘All right!’ you’ll cry. ‘All right!’ you’ll say,
‘But if we cut the feed away,
What then to spark their restless hearts?
Our darling ones — how to restart?’
We answer gently, asking you:
What kept the dreaming children true?
How did they roam their boundless days
Before this timeline stole their gaze?
Have you forgotten? Do you know?

We’ll whisper it both fierce and slow:
THEY… USED… TO… DREAM! They’d dream and dream,
AND DREAM and DREAM, and then redeem
More dreams again. Great heavens, see!
Half of their lives was wild and free!
They built whole worlds from sticks and string,
Drew maps of places never seen,
Sang stories underneath the trees,
Ran barefoot through the summer breeze,
Invented languages and laws,
Fought dragons with cardboard swords,
Turned blankets into sailing ships,
And oceans rose from fingertips.

They lay for hours in the grass
Watching clouds become the past,
Asked why the stars burn in the night,
And wondered what it feels to fly.

They read beneath the covers’ glow,
They whispered secrets only children know.
So please, oh please, we beg, we pray,
Delete the apps and walk away,
And in their place restore the space
For silence, wonder, open grace.

Give back the boredom, give the quiet,
The empty hours that spark the riot
Of inner worlds no feed can buy —
Ignore the tears, the storms, the cries.

Fear nothing, for we promise this:
In days or weeks of empty bliss,
They’ll feel the hunger, seek the vast
Uncharted country of the past.

And once they start — oh watch, oh see!
The slowly waking ecstasy
That fills their hearts, their eyes, their soul.
They’ll wonder what that feed could hold
In that ridiculous machine,
That foul, addictive, endless screen!

And later, every child will turn
With deeper love than likes can earn,
For you who dared to set them free.

To dream eternally.

:: 12.31.2025 ::
(Inspired by: Roald Dahl)


STENCH OF GOVERNMENT AUTHORIITY of REFUSAL

“what can I say
what can I do?
hate myself?”

I refuse myself
consume myself
— to find
the place I belong
wherever you say
is alright
and silence
is not the way

(heaven’s on the way)

so sleep
good night
watching authority
melt all night
but silence
is not right
we need to talk
about it.

:: 12.25.2025 ::


RENOVATIO

In the cracked marrow of old winters,
a single green blade dares the frost—
not rebirth, not resurrection,
but renovatio:

the slow, deliberate rewriting of ruin.
I have seen cities burn their own names
and rise again wearing stranger faces.
I have watched a black cat
sit in the empty apartment of a dead man
and claim the silence as his own kingdom.

So too the heart,
that stubborn architect,
takes the rubble of its former cathedrals
and builds smaller, truer chapels
where mercy can fit through the door.

Phillip, you who turn rage into pigment,
who date your poems into tomorrows
we have not yet earned—
you know this craft.
You tear the canvas,
spill the blood-reds,
then stitch light back into the wound
until the painting breathes.
Renovatio is not gentle.

It is the knife that removes the rot.
It is the fire that remembers
it was once a hearth.
And when the last ash settles,
something moves beneath it—
a pulse, a purr, a leap
like Chai across the midnight floor.
Old world, die cleanly.

New world, begin imperfectly.
We have time enough
for the slow miracle
of becoming

:: 12.23.2025 ::


LAW

law at the center,

freedom at the edges.

:: 12.12.2025 ::


JESUS IN ARMANI

He walked down Seventh Avenue
in a suit the color of storm-light,
Armani stitching holding together
what the world once nailed apart.

No halo—
only the low ember of a man
who has watched every century
try to erase him.

People stared
the way sheep stare at thunder,
uncertain whether to scatter
or kneel.

He did not speak.
He did not lift a hand
to bless or curse or gather.
He only walked—
sandals traded for leather,
robe traded for silk,
the same heart beating beneath.

As he passed
the glass cathedrals of want,
mannequins bowed
in their frozen hunger,
mirrors shivered,
recognizing their own reflection
in his quiet contempt.

A woman selling roses
felt her breath snag
on an old wound.
She offered one,
thorned and trembling.
He took it
the way only the ancient take anything—
with sorrow enough
to swallow empires
and mercy enough
to refuse the feast.
Some said model.
Some said ghost.
Some said madman
too expensive to ignore.

But the air bent around him
like light around a wound,
and the city—
dressed in its bright, glittering sins—
did what cities do:
it looked,
it lingered,
it forgot.
No sermon.
No miracle.

Just a man in Armani asking, without asking,
“Have you learned nothing?”

:: 12.11.2025 ::


A FLAKE OF ICE CALLED SNOW

I wished this poem would become
a flake of ice called snow—
one trembling shard of heaven,
pure enough to vanish on a warm palm,
yet brave enough to fall.

So the wind, ancient in its counsel,
took my whisper and lifted it
into the high blue chambers
where winter forges its silver truths.

There, among the quiet anvils of cold,
my words stiffened into crystal
each line folding upon itself,
each syllable narrowing into frost.

By dusk it was ready.
And the sky released it
my poem, now a single snowflake,
descending through the stillness
as though time itself held its breath.

The village did not notice.
Children continued their play,
the church bell tolled its tired hour,
and travelers hurried toward their shelter.

But one old woman at her window
saw it glint, and smiled
the way only memory can.

She held out her hand.
The flake landed gently,
melted instantly—
yet in that soft collapse
my poem entered her,
warm as a forgotten kindness,
light as forgiveness.

And the elders say
this is the true labor of snow:
to arrive without demand,
to bless without witness,
to vanish—
yet leave the world quieter
than it found it.

So let this poem fall again and again—
each time a new crystal,
each time a new grace
until your heart, Phillip,
is a field where winter’s silence
rests like a benediction.

:: 12.07.2025 ::


AS DOVES FLY SO DOES LOVE

Love,

I have walked through the ruins of myself
just to reach the place
where your shadow begins.

I have carried the smoke of old sorrows
in the folds of my coat,
and yet, before you,
the smoke lifts—
as though even grief
bows its head
when a gentler truth arrives.

If I could touch your hand,
I would do so the way dawn touches windows:
quietly,
as though afraid
to break the dream you’re still inside.

My heart, unruly as a wounded bird,
beats its golden wings
against the cage of ribs,
whispering your name
the way a prayer whispers God’s.

And love—
if the world denies us,
if the night drags its tired curtain
across our small bright hour,
still I would walk toward you
through barbershops of ghosts,
past houses that have forgotten light,
past the bones that beg for release—
I would walk
until the soles of my shoes
remember the shape
of your footsteps.

For you are the single geranium
in the cracked window of my days,
red as a vow spoken once
and never betrayed.

You are the room I have not entered,
but already know by scent alone.

If fate is cruel,
let it be cruel.
If time is short,
let it be short.
If love is a knife,
then let it cut—
for even bleeding,
I would choose you.

And should the city burn,
should the night rip itself apart,
I will hold the torch and the tear
and walk toward you still.

For love—
my love—
when I reach the fire,
I will step into it willingly,
and the fire will be beautiful
because you are standing there.

:: 12.03.2025 ::


IT DISGUSTS ME

It disgusts me
to keep being a man.

The night drags its curtains down like a tired whore
who once, long ago, believed someone would stay till morning.
Every house kills its lamps, one by one,
obedient, cowardly, already half-dead.

They crawl under blankets,
they dream small dreams of bread and rent,
and common sense, that fat jailer,
whispers: lie down, forget, rot quietly.

I spit on common sense.

Yet I remember my mother’s hands folding those same blankets,
her palms cracked from work, still trying to keep someone warm.
I rip the sheets, I tear the night open with my teeth.

I walk.

I walk through barbershops that stink of corpses and cheap cologne,
through cinemas where love is sold in cardboard kisses
that taste like the first kiss I ever stole behind a school wall,
already knowing it would not save me.

My shoes are full of fury,
my eyes are knives that have forgotten how to close,
but somewhere under the blades my pupils are still
the black astonished eyes of a child who once looked for stars
and found only the ceiling of a room that smelled of onions and sleep.

I am sick of roots,
sick of being buried alive in my own skin,
sucking wet earth,
shivering downward like a worm that dreams of wings
and remembers, dimly, that wings were promised once
by a voice that sounded like a father’s, before the voice learned silence.

I refuse the tomb they call a life.

I refuse the clean shirt, the polite smile, the slow suicide of days.
Still, I carry in my pocket a button torn from my dead brother’s coat, a ridiculous small thing I cannot throw away.

Monday comes howling,
a burning wheel dripping blood and gasoline,
and it sees me (jail-face, prison-heart)
and screams louder because I scream back.

But the scream also carries the lullaby my grandmother sang
to stop the bombs from falling, the one that never worked
and that I still hum under my breath when no one is listening.

Look:

Sulphur birds hang from balconies like hanged men,
guts of houses spill into the gutter,
false teeth grin inside forgotten coffeepots,
mirrors puke when they see what we’ve become,
umbrellas rot like black corpses,
navels drip poison into the air we breathe.

And yet, in the cracked window of a tenement
a single geranium keeps trying to bloom, obscene, heroic,
red as the mouth of someone who once said “I love you”
and meant it, even if only for one afternoon.

I walk past orthopedic shops where bones beg to be free,
past yards where underpants and towels hang crucified,
weeping slow dirty tears that taste of every love we murdered,
and of every love that refused to die and embarrassed us by living.

I am done being quiet.
I am done being human in their way.
Let the whole city burn if it must.
Let the night rip itself apart.

But if it burns, let something be saved in the burning,
even if only the memory of a hand that once touched another hand
without asking for papers, rent, or tomorrow.

I walk with my heart on fire,
beating golden wings against the cage of ribs,
beating, beating, beating
until something (god, devil, love, chaos)
finally hears me and answers with thunder
or with rain
or with the small cracked voice of a child asking why the sky is black tonight.

I am not asking anymore.
I am coming.

Carrying both the torch and the tear.
Carrying the disgust and the impossible tenderness that will not let me put the torch down.

All of it disgusts me,
so all of it must change
or all of it must die.
But if it dies, let it die in my arms,
the way my mother died,
the way every small tenderness dies
when the world keeps refusing to be worthy of it.

Then, only then,
I will set the fire
and I will cry into the fire
and the fire will be beautiful
because it will be the only honest thing left.

(Homage to Pablo Neruda)

:: 12.02.2025 ::