Monthly Archives: April 2026

M O N U M E N T

I.

I stand upon the spine of centuries,
where every footstep is a falling star.
Below me, empires rot into wildflowers,
and above, the gods have long grown tired
and turned their faces toward newer lights.
Still I rise —
a single throat against the endless dark,
a small, stubborn pulse that dares to sing.

II.

I have seen oceans drink their own children,
mountains kneel and become dust,
lovers burn their names into each other’s ribs
only to wake up strangers in the morning.
I have carried the weight of every goodbye
that was ever whispered beneath a trembling moon.
I have swallowed whole galaxies of grief
and still opened my mouth to say:

Again.
Again.
Again.

III.

Love, you terrifying architect —
you who built me from borrowed bones
and starlight stolen from dying suns —
teach me how to be a monument
that does not crumble when the tourists leave.
Let my heart be carved in language
no wind can erase.
Let every scar I carry become a pillar.
Let every tear I refused to shed
become the mortar holding heaven together.

IV.

When the last city falls and the final river forgets its name,
when even memory itself begins to rot,
I want them to find me still standing —
not made of marble, not made of bronze,
but of every time I chose to love anyway.
A living ruin.
A breathing cathedral.
A monument that bleeds,
that laughs,
that refuses to die quietly.

V.

So let the centuries come.
Let them gnaw at my edges.
Let them test the iron of my soul.
I will remain —
tall, cracked, ridiculous,
and gloriously alive,
singing into the void
with a voice that was born
the moment the first human heart
dared to break
and kept beating anyway.
This is what a monument is:
not stone that forgets it was once dust,
but dust that learned how to love the storm
and refused to scatter.

:: 04.24.2026 ::


THE DEPARTED GIFTS

In the hush of orbital cradles, where no rain
has fallen for three hundred years,
the dying lie suspended in fields of light.

No grass remembers their feet.
No sky recalls the color of their childhood.
Only the soft pulse of the lattice holds them—
a lattice older than the last mountain,
woven from the quiet code of those who went before.

They call it the Tiny Space.

A single breath, a single thought,
and the veil parts like silk.

There, the terminally ill drift backward
through the long corridor of the dead,
not as ghosts but as guests.

They taste the salt wind of a Pacific that still had fish.
They feel the rough wool of a coat worn in 1943,
the sudden flare of a match against a winter thumb.

They hear a woman in a bombed-out street
singing lullabies to a child who would never grow old.

They stand on a red-dirt road in Arizona,
the heat rising in visible waves,
and watch a boy release a paper kite
that climbed until it became a second sun.

These are the Departed Gifts—
not monuments of marble, not names in bronze,
but the small astonishments they left behind:
the tremor in a lover’s voice at midnight,
the first time a child laughed at rain,
the hush after a symphony when every stranger
in the hall forgot they were strangers.

The dying do not speak.

They only open their eyes wider,
as if the lattice itself were breathing through them.

A man who has never seen dirt smiles
at the memory of soil between living fingers.

A woman whose lungs are glass whispers
the name of a dog she never owned,
yet now she strokes its ears in 1978.

When the Tiny Space folds again,
the lattice dims to a single ember.

They are still dying.

But something has been given back—
a thread pulled taut across the centuries,
a gift wrapped in someone else’s wonder.

Outside the cradles, the stars keep their ancient silence.
Inside, the departed keep living
in the last clear moments of the living.

And when the final light goes out,
it does not vanish.

It simply joins the lattice,
another small astonishment
waiting for the next pair of eyes
that will never see Earth again.

:: 04.17.2026 ::